Faculty of Humanities (ETDs)

Permanent URI for this community

https://hdl.handle.net/10539/37922

Browse

Now showing 1 - 6 of 6

Analysing the player's involvement in video game character animation
(University of the Witwatersrand, Johannesburg, 2021) Ponde, Rugare; Whitcher, Ray
This dissertation investigates the impact of animation on player interest in an existing video game character. There is high demand and expectation regarding character animation quality, yet understanding and achieving this standard is complex and challenging. The quality of a character’s animation is often derived from its direct appeal to the audience and how its representation informs their impression. However, there is a gap in the literature where there is little on how style representation plays a role in character perception and identification in video games. A practice-led approach was used to understand the relationship between player involvement and the player-character's appeal. The process involved the creation of an animation reel to demonstrate how a popular video game character's acceptance can change based on a player's perception of style in the character's animation. I used Link from the video game Super Smash Brothers Ultimate (Nintendo, 2018). The reel was presented to adults between 18 and 35 to review the animations. Using the process of creative exegesis, the theories and concepts about character appeal, animation design, and player involvement were combined to analyse and critique the contributing factors that inform the perception of the creative work. The results from this study indicate that a change in movement style impacted the perception of Link and the participant's demonstrated interest to play him. This study confirms that style representations are an important design consideration to improve a character’s appeal. This topic may benefit the art and technique of character design and how to improve on it.
Anxiety as a Mediator of the Associations Between Stressful Life Events and Social Media Use Intensity in Young Adults
(University of the Witwatersrand, Johannesburg, 2022-05) Ramoroka, Morongwa Rebaabetswe Elina; Price, Esther
Introduction: This study quantitatively explored the associations between SLEs, anxiety, and social media use intensity. The study explores whether anxiety mediates the relationship between SLEs and social media use intensity across all four domains. This study further aims to explore whether social media use intensity, operationalized as an avoidance coping strategy, is possibly due to poor emotional regulation and distress tolerance skills. The first-time undergraduate student population are often inadequately prepared for the transition to university during a critical period of their development. As a result, they may drift towards health compromising behaviours such as intense social media use. The findings will set a precedent for the development of preventative programs and/or interventions in order to assist young adults with emotional regulation. Methods: This was a cross-sectional design that was analysed quantitatively. The participants were invited to participate in online questionnaires which assessed stressful life events, anxiety, and social media use intensity. While a total sample of 402 students completed parts of the online survey questionnaires, a final sample of 360 participants was used in the study as their data sets were complete for all the variables. The Social Readjustment Rating Scale, Beck's Anxiety Inventory, and the Facebook Intensity Scale were the measures used. Results: Positive associations were found between SLEs, anxiety and social media use intensity. Anxiety mediated the relationship between SLEs and social media use intensity across all four domains. This reflected that social media use intensity is a form of avoidance coping mechanism that emerges due to poor emotional regulation and distress tolerance skills. Conclusions: The present study highlights the challenges experienced and how to set a precedent for the development of preventative programs and interventions. Keywords: stressful life events, anxiety, avoidance coping, social media use intensity
Black Writings: The Modal Mixtape Sampling and Remixing the Ethos of South African Poor Theatre with the Film Medium
(University of the Witwatersrand, Johannesburg, 2022-03) Sono, Sipho Alex; Jansen van Veuren, Mocke
Let’s imagine I’m standing in a record store aisle, with all these nostalgic “records” of film and theatre that I’m too young and perhaps too black to be drawn to, but still somehow feel connected to. Not only that, but I can’t shake the feeling that these records have informed me as a South African and could form new work in a strong way. I'm trying to make a “song”, a cohesive language for my practice as a filmmaker, with an underpinning interest, ethos and an understanding of South African Poor Theatre. In my hand I have a Grotowski “record”, called Towards Poor Theatre (1976), that is the main sample for my track. I’m also “digging through crates”, looking at the Theatre of the Oppressed by Augasto Boal (1974) and other theories of theatre in film, to mix together to make the song. I’ve been listening to tracks by Athol Fugard and Barney Simon, as sources of inspiration. As Pharrell Williams describes chords as “coordinates pointing us to emotion” (2019) , I have begun to think that maybe plays such Woza Albert (1971) and Sizwe Banzi is Dead (1972 ) and their recordings for BBC (1982 and 1983) can serve as chords and indicators to the direction for my filmic practice. Although you might not find a section entitled “methodology” in this paper, what you will find is that it is underpinned by practice based research methodologies, in the interest of Walter Mignolo’s epistemology disobedience. In this paper, I employ DJ Lyneé Denise’s concept of The DJ Scholarship (2013) as a research methodology, which sees the paralleling between the roles of the research to those of a DJ, borrowing ideas and recontextualising them . I sample theatre concepts, ideas and theories to mix and remix them and eventually form my own knowledge around my filmic practice. This notion of deejaying also exists in the research question itself, as it seeks to attempt a blending of two artistic disciplines. It is further carried in the way I approach film and storytelling, through the editing process, cutting, scratching, loop and rewinding for further indentation. This research further makes use of auto-ethnographic methods for meaning making and epistemic disobedience. These methods are employed through personal anecdotes and reflexivity as additive interrogators and informers to the research exploration. This research project also makes use of the personal, in the research film as a means to explore therapeutic processes for film as well as an exploration of the personal as a political enquiry. Auto-Ethnography functions in the crux of this research, it is an inquiry of the self, as a black “born free” South African and my relationship with Poor and Protest Theatre as an inherited artistic voice. As I stand in the middle of this record-store of theoretical frameworks and literature, I am also analysing the “records” which pick and sample. I am studying them and thinking about what they represent and what they indicate about me and the ethos of my filmmaking practice in a traumatised, post-apartheid South Africa . So let’s get to mixing.
Disinformation: exploring the nexus between politics and technology in Nigeria
(University of the Witwatersrand, Johannesburg, 2022) Olaniran, Samuel; Gagaliardone, Iginio
Over the past decade, disinformation and social media hoaxes have evolved from a nuisance into a high-stake information war, exploiting weaknesses in our online information ecosystem. Although social media has the potential to strengthen democratic processes, there is increasing evidence of malicious actors polluting Nigeria’s information ecosystem during elections. Misleading narratives targeting candidates and political parties were picked up, liked, shared, and retweeted by thousands of other users during the 2019 presidential election campaign. Rooted in the theoretical lens of centre/periphery dynamics and equalizing and normalizing hypothesis, this study examines the networked nature of disinformation by identifying instigators, techniques, and motivations for spreading manipulated information around elections. While providing valuable data-driven insights drawn from a computational analysis of over 3 million tweets and a critical blend of qualitative framework, this study analyses the human agency and motivations behind online disinformation. The spread of falsities is coordinated in a way that “ordinary users” unknowingly become “unwitting agents” as “sincere activists” of concerted influence operations, a participatory culture that amplifies disinformation and propaganda. Agents’ participation in the “nairainfluenzer” industry is motivated by factors such ethnic and religious sentiments, poor economy, and low trust in news media. These findings broaden the perspective for examining top-down, orchestrated work as well as other types of coordination that stress how election-related disinformation heightens centre/periphery power dynamics. It further emphasizes that the systematic production and amplification of disinformation on Twitter represents a universal online behaviour not common “emotional-periphery” states.
Experiences of loveLife Trust telephone counsellors about the EWP employed within Gauteng
(University of the Witwatersrand, Johannesburg, 2022) Mpekana, Rebecca
Globally, most Non-Profit Organisations (NPOs) do not prioritise employee wellness programmes (EWPs). NPOs’ funding is often allocated for rendering their primary programmes rather than improving their employees’ wellness. Employees in NPOs are left to devise their own means to best cope with work-related stress and challenges. Some employees rely on support from community-based organisations or their colleagues. loveLife Trust is a South African NPO that operates nation-wide. loveLife Trust recently introduced EWP to be utilised by its employees who are telephone counsellors. As of year 2022, loveLife Trust employs about 12 telephone counsellors. The loveLife Trust counsellors render psychological support to youth country-wide. Dealing with the youth’s presenting problems exposes the telephone counsellors to burnout and anxiety. This study aimed to explore how telephone counsellors experience the loveLife Trust EWP service. This was a qualitative study that allowed the participants to openly share their views. The total participants for this study were 12 telephone counsellors who were working on the toll-free line which is based in Gauteng. In addition, two key informants; the team supervisor and an EWP account manager, were interviewed. All participants were interviewed through ZOOM Cloud Meetings. A qualitative interview schedule that was guided by open-ended one-on-one interview questions was used for data collection. Thematic data analysis was used to derive different themes for the study. The aim of the study was to explore the experiences of telephone counsellors on EWP at loveLife Trust. The telephone counsellors are based in the call centre in Gauteng. The study revealed that telephone counsellors have not utilised the EWP as a way of support. The telephone counsellors prefer collegial support for taking care of their wellness. To spark interest amongst telephone counsellors to utilise the service, loveLife management should prioritise EWP awareness.
Situating the Camera Club of Johannesburg in South African Histories of Photography 1960–1989
(University of the Witwatersrand, Johannesburg, 2022-05) Meyersfeld, Michael; Doherty, Christo
In this research report I present my dissertation together with a self-curated hard-cover book containing one hundred photographs. The two must be viewed as a single entity, with the dissertation providing the supporting evidence for the images selected. In this part of the research report, I discuss the Camera Club of Johannesburg (CCJ), focusing on the work produced by the black and white print section during the 1960s, 1970s and 1980s. Given the progressive outlook of the leadership of the CCJ, work produced during these three decades was rarely seen at other South African clubs. The general apathy of the South African art world towards photography, combined with a sceptical view of camera club photography, resulted in these works being largely ignored. At a time when South African photography was mainly predicated on press and documentary photography, a relatively small group of dedicated photographers were aspiring to produce art with the camera. A selection of these works is shown in an accompanying hard-cover book containing 100 images curated by the author. To situate cameras clubs in the history of photography, I discuss three dominant movements: the Pictorialists, the Photo-Secessionists, and Group f/64. These movements emanated from dissenting voices within camera clubs, with Group f/64 being an example of like-minded photographers opposed to any form of manipulated photography. To highlight the difference between most South African clubs and the CCJ, I discuss the Johannesburg Photographic Society (JPS), the oldest and largest club in Johannesburg, and the Chinese Camera Club of South Africa (CCCSA), formed due to the exclusionary policies of apartheid. Both these clubs remained largely committed to Pictorialism. Both have ceased to exist. By way of contrast, I discuss three overseas clubs, each of which became highly successful by operating outside the prevailing club system to keep their work contemporary. These are the Photo Club Riga, Foto-Cine Clube Bandeirante and the Lexington Camera Club. I argue that the CCJ operated at a different level from most other clubs in South Africa, that the work produced was progressive, and where the keywords of the founding statement of the CCJ – “where originality was not stifled by conventional judging” – were prophetic.

Browse

Browsing Faculty of Humanities (ETDs) by SDG "SDG-17: Partnerships for the goals"

Results Per Page

Sort Options