Theatre of Resistance in Johannesburg, 1960–2010

Abstract

This thesis explores the relation of art to politics, specifically how black theatre practitioners in South Africa responded to cultural imperialism. It contributes to the historiography of adversarial theatre in South Africa by tracing the establishment and growth of a genre of theatre termed the Theatre of Resistance. The thesis uses the cases of the People’s Experimental Theatre, Mihloti Black Theatre, Bahumutsi and the Soyikwa Institute of African Theatre to provide rich empirical detail on how the work at these theatre companies was a form of cultural resistance. It begins by showing how the Soweto poetry movement and the Black Consciousness Movement were foundational to the development of Theatre of Resistance. Plays that are exemplars of this genre are analysed in the context of the oral history testimonies of the theatre practitioners themselves. Additionally, the issue of censorship is addressed by looking at the deliberations of the Directorate of Publications, whose archives are extant and have only been accessible within the last twenty years. The thesis also shows how the groups negotiated the segregated township spaces of Soweto and Alexandra in Johannesburg to create theatre that was agile and politically relevant. Finally, the thesis discusses Theatre of Resistance after the end of apartheid and beginning of democracy.