Africanfuturism, placing Africa in the future: an analysis of Pumzi (2009) and Afronauts (2014)

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dc.contributor.authorShirinde, Karabelo
dc.date.accessioned2023-11-02T08:08:58Z
dc.date.available2023-11-02T08:08:58Z
dc.date.issued2023
dc.departmentDepartment of Film and Television
dc.descriptionA dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment for the degree Masters’ in Film and Television, 2023
dc.description.abstractTaking into consideration Africa’s long historical relationship with colonialism, alienation and currently neo-colonialism, ‘africanfuturism’ a sub-genre of science fiction and the focus of this study, brings forward the necessity of rooting African science fiction films in the continent of Africa, created by Black people of African descent and ensuring that narratives are driven by the histories, daily social-political and cultural experiences of the people within the continent. Therefore, this study aimed to investigate how the African science fiction films Pumzi (2009) directed by Wanuri Kahiu, and Afronauts (2014) directed by Nuotama Frances Bodumo portray africanfuturism. This study used a developed africanfuturist framework inspired by the description of africanfuturism by author Nnedi Okorafor (2019) and Masego Mashigo (2018). The chosen case study films were analysed according to africanfuturist components, namely: iconography, ideology, geopolitical and socio-cultural background, semiotics and symbolism, and the filmmaker’s profile to determine the extent to which they portray africanfuturism. Further research objectives of this study included the discussion on how Western science fiction films present colonial conventions and the difference between afrofuturism and africanfuturism within the literature review. With the application of the developed africanfuturist framework, this study concludes that both Pumzi (2009) and Afronauts (2014) successfully portray africanfuturism in the capacity of their geological settings, ideological viewpoints, socio-economic and political representations and local cultural symbolisms within the continent. Finally, both films present a nuanced understanding and portrayal of science and technology as it relates to the African continent, and further dismantles preconceived notions about the African continent as described by the West. These representations essentially redefine the relationship between Africa and the science fiction genre by clearly demonstrating, transforming and representing the continent within an imaginative and realist space, coupled with scientific, technological and globalist expressions.
dc.description.librarianPC(2023)
dc.facultyFaculty of Humanities
dc.identifier.urihttps://hdl.handle.net/10539/36880
dc.language.isoen
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.schoolSchool of Arts
dc.subjectAfricanfuturism
dc.subjectAfrican science fiction films
dc.titleAfricanfuturism, placing Africa in the future: an analysis of Pumzi (2009) and Afronauts (2014)
dc.typeThesis
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