How can screen dance be used as a tool to reframe the black female body in South Africa?
Date
2024
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
University of the Witwatersrand, Johannesburg
Abstract
Screendance can be used to explore and celebrate the diversity and complexity of the Black female body, highlighting the unique experiences and perspectives of Black women in South Africa. Through experimentation with movement, camera angles, and the manipulation of light and sound, Screendance can be used to create a new visual language that reframes the Black female body in a more nuanced and empowering way. This medium can be used as a tool to reframe the Black female body in South Africa by breaking stereotypes, giving agency to Black female dancers and choreographers, and exploring the diversity and complexity of the Black female experience. Screendance allows for greater creative control and representation of the Black female body, offering a platform for self-expression, experimentation, and the exploration of new perspectives. The research seeks to examine the ability to manipulate and reimagine the image of the Black female body, through digital media which can be a powerful tool in challenging dominant cultural narratives and re-centering the experiences and perspectives of Black women. Additionally, it explores how Screendance can bring attention to the embodied experiences of Black women, and the ways in which their bodies have been subject to historical, cultural, and societal oppression. By making the body visible, Screendance can create a space for resistance, healing, and empowerment for Black women.
Description
A research report Submitted in fulfillment of the requirements for a Master of Arts , In the Faculty of Humanities , School of Arts, University of the Witwatersrand, Johannesburg, 2024
Keywords
UCTD, The gaze, Black female body, screen dance, experimentation
Citation
Setzin, Sasha-Lee. (2024). How can screen dance be used as a tool to reframe the black female body in South Africa? [Masters dissertation, University of the Witwatersrand, Johannesburg]. WIReDSpace. https://hdl.handle.net/10539/44882