Techno-Orientalism in Science Fiction: A Resistant Reading of Ex Machina
| dc.contributor.author | Schoeman, Samantha | |
| dc.contributor.supervisor | Duncan, Catherine | |
| dc.date.accessioned | 2024-08-16T17:33:30Z | |
| dc.date.available | 2024-08-16T17:33:30Z | |
| dc.date.issued | 2023-02 | |
| dc.department | Department of Digital Arts | |
| dc.description | A research submitted in partial fulfilment of the requirements for the degree of Master of Arts (Digital Arts), to the Faculty of Humanities, Wits School of Arts, in the University of the Witwatersrand, Johannesburg, 2023. | |
| dc.description.abstract | Techno-Orientalism is a prominent issue in science fiction media. It perpetuates and propagates negative stereotypes about Asians across a broad audience, tangibly affecting and shaping society’s perceptions. This research focuses on challenging and resisting the dominant portrayal of Asians in Alex Garland’s Ex Machina (2015). I interrogate Ex Machina in a way that centres the female Asian character, Kyoko, using methods of resistant readings and implementing the ‘oppositional gaze’ strategy put forth by bell hooks. My analysis shows how the cinematic apparatus of the film constructs the problematic techno-Orientalist stereotypes, and how viewers can use an oppositional gaze, cyborg theory, and feminist film theory in a resistant reading. In reading the film against the grain, I found that the spectatorial experience changes, allowing for the emergence of different pleasures and compensations not offered through traditional looking relations between film and viewer. I argue that these strategies empower the marginalised characters, affording spectators of the film to glean different and more defiant impressions without detaching from the film’s canon. I further suggest that resistant readings and employment of the oppositional gaze offer an opportunity for more diverse voices and opinions to document and share their critiques and experiences with problematic media representation. This opens the door for further discourse challenging harmful, stereotypical characterisations, thereby growing the field of film studies. | |
| dc.description.submitter | MM2024 | |
| dc.faculty | Faculty of Humanities | |
| dc.identifier | https://orcid.org/0000-0002-7234-9872 | |
| dc.identifier.citation | Schoeman, Samantha. (2023). Techno-Orientalism in Science Fiction: A Resistant Reading of Ex Machina. [Master's dissertation, University of the Witwatersrand, Johannesburg]. WIReDSpace. https://hdl.handle.net/10539/40167 | |
| dc.identifier.uri | https://hdl.handle.net/10539/40167 | |
| dc.language.iso | en | |
| dc.publisher | University of the Witwatersrand, Johannesburg | |
| dc.rights | ©2023 University of the Witwatersrand, Johannesburg. All rights reserved. The copyright in this work vests in the University of the Witwatersrand, Johannesburg. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of University of the Witwatersrand, Johannesburg. | |
| dc.rights.holder | University of the Witwatersrand, Johannesburg | |
| dc.school | Wits School of Arts | |
| dc.subject | Science fiction media | |
| dc.subject | Asians in Alex Garland’s Ex Machina | |
| dc.subject | Techno-Orientalism | |
| dc.subject | Kyoko | |
| dc.subject | UCTD | |
| dc.title | Techno-Orientalism in Science Fiction: A Resistant Reading of Ex Machina | |
| dc.type | Dissertation |