Intloya Iphuma emasini: Investigating the functional significance of AbaThembu beaded necklaces to signify the transition from boyhood to manhood

Abstract

Abstract This research delves into the significance of beaded necklaces in shaping male gender identity within AbaThembu cultural group, particularly during the transition from boyhood to manhood. Grounded in Heritage Studies, the study investigates how these traditional artistic expressions represent male gender identity. Beadwork, an Indigenous art form often overlooked by colonisers and traditional art history, takes centre stage. The focus is specifically on beaded necklaces, crucial in differentiating boyhood from manhood and shaping male gender identity within AbaThembu cultural group. Employing qualitative methodology, the research examines beaded necklaces from collections at Walter Sisulu University and insights from interviews with AbaThembu cultural experts and beadwork artists. Semi-structured interviews, relevant literature, and a theoretical framework were utilised to better understand these necklaces' cultural meanings and significance. This study aims to provide a nuanced perspective on how beadwork functions as both an aesthetic and artistic expression and as a fundamental aspect in shaping and upholding male gender identity within AbaThembu community. The outcomes of this research will contribute to broader conversations in Heritage Studies on the role of indigenous art forms in identity formation and shed light on the cultural practices of AbaThembu, underscoring their significance in contemporary society. By addressing a crucial gap in the existing literature, this research extensively analyses the cultural importance of beaded necklaces as instruments of identity and tradition within this cultural context. Keywords: AbaThembu cultural group, Beadwork, Male gender identity, Boyhood to manhood transition, Heritage Studies, Indigenous art forms, Identity formation, Cultural practices, Cultural preservation and African heritage.