On (the) A.P.: The Shepards of Humanity & Reality/The Avatars of the Arts

Abstract

This dissertation explores the concept of the "Artist-Philosopher" from the Western perspective and its significance within art, philosophy, and the greater society. By examining this hybrid identity's historical, theoretical, and practical dimensions, this study sheds light on what it means to be a Western Artist- Philosopher and how this unique role contributes to the broader discourse on creativity, knowledge, and the human experience. Through an interdisciplinary approach, I investigate the works of prominent Artist- Philosophers by analyzing the relationship between art & philosophy and delving into the implications of embodying this dual role. My Practice as an Artist-Philosopher explores our capabilities & willingness as humans to investigate and deduce reason from our environment. I question the idea of what reality is & how do we know. I challenge my viewers to do the same by leaving them to create (a) reason(s) for my art themselves. Utilizing video projections and various installation methods allows the viewer to explore the observable world I have created and its limits to which I have confined them. Ultimately, my research aims to offer my readers an instructive understanding of the Artist-Philosopher’s Western origins & western metaphysical groundings. In doing so, this dissertation seeks to provoke critical reflection on art and philosophy in contemporary society. We will traverse the discourse on the intersections between art and philosophy and critically explore the Artist-Philosopher as a distinct and meaningful identity. This study offers valuable insights into the nature of creativity, knowledge production, and the human condition through an in-depth analysis of historical precedents, theoretical frameworks, and practical implications.