(Il)legitimacy of Freelance Artists: Exploring Current Government Legislation and Policies that Influence Economic Exclusion and Inclusion of South African Freelance Artists

dc.contributor.authorMmeti, Lehlohonolo Tebalelo Rudy Matome
dc.contributor.supervisorChatikobo, Munyaradzi
dc.date.accessioned2025-03-05T15:53:10Z
dc.date.issued2024-03
dc.departmentCultural Policy and Management
dc.descriptionResearch report submitted in partial fulfilment of requirements of degree of Master of Arts by Dissertation Degree in the field of Cultural Policy and Management, Wits School of Arts, University of the Witwatersrand, Johannesburg, 2023
dc.description.abstractThe prevailing descriptors—such as "illegitimate," "non-compliant," "unprofessional," and "informal"—resonate globally, attributing a lack of structure to freelance artistry. This characterization places these artists in precarious legal and economic positions, hindering access to fundamental employment benefits, credit, loans, and housing. Therefore, it is imperative to answer the central questions, Which legislative measures and policies currently influence the economic integration, compliance and legitimacy of freelance profession within Cultural Creative Industry and Economy in South Africa? The scarcity of literature on the subject prompts an exploration into the legislative landscape, framed by the notion that policy acts as a guiding roadmap. The central argument is that existing policies failure to adequately address the unique challenges faced by South African freelance artists, leaving a critical void in understanding their economic participation. Focused on a qualitative methodology, the research examines documents and policies to unravel the impact on freelance artists' economic standing, employing lenses that navigate the intersections of formality and informality within the Cultural Creative Industries. The research underscores the imperative to bridge this knowledge gap, arguing for targeted interventions to rectify the economic disparities and (il)legitimacy associated with freelance artists in South Africa. It is through the aims and objectives of this research that I was be able to come with a concrete understating of the landscape so appropriate intervention measures can be suggested.
dc.description.submitterMMM2025
dc.facultyFaculty of Humanities
dc.identifier0009-0002-9146-2640
dc.identifier.citationMmeti, Lehlohonolo Tebalelo Rudy Matome. (2024). (Il)legitimacy of Freelance Artists: Exploring Current Government Legislation and Policies that Influence Economic Exclusion and Inclusion of South African Freelance Artists. [Masters dissertation, University of the Witwatersrand, Johannesburg]. WIReDSpace. https://hdl.handle.net/10539/44091
dc.identifier.urihttps://hdl.handle.net/10539/44091
dc.language.isoen
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.rights©2024 University of the Witwatersrand, Johannesburg. All rights reserved. The copyright in this work vests in the University of the Witwatersrand, Johannesburg. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of University of the Witwatersrand, Johannesburg.
dc.rights.holderUniversity of the Witwatersrand, Johannesburg
dc.schoolWits School of Arts
dc.subjectFreelance artists
dc.subjectEconomic Inclusion
dc.subjectCompliance
dc.subjectCultural Creative Economy
dc.subjectLegitimacy
dc.subjectUCTD
dc.subject.otherSDG-16: Peace, justice and strong institutions
dc.subject.otherSDG-4: Quality education
dc.title(Il)legitimacy of Freelance Artists: Exploring Current Government Legislation and Policies that Influence Economic Exclusion and Inclusion of South African Freelance Artists
dc.typeDissertation

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