Itinerant/Iterative Cartographies: Explorations in Cinematic Practices

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dc.contributor.author Mntambo, Nduka
dc.date.accessioned 2020-07-08T12:38:06Z
dc.date.available 2020-07-08T12:38:06Z
dc.date.issued 2020-07
dc.identifier.citation The performance lecture served as an exegesis for the installation project on the city titled Asymmetries (2018/19/20). The installation and its various iterations were conceived as a making-thinking-spectatorial research project on the urban, premised on strategies developed through modes of artistic research. The project explores various forms of contemporary film practices in order to explore and re-imagine city life beyond the confines of teleological conceptions. In particular, the installation and its iterative explorations relates to cinema aesthetics and its political confrontation with the mono-focal conception of cinema and its projection norms. en_ZA
dc.identifier.uri https://hdl.handle.net/10539/29230
dc.description The performance lecture served as an exegesis for the installation project on the city titled Asymmetries (2018/19/20). The installation and its various iterations were conceived as a making-thinking-spectatorial research project on the urban, premised on strategies developed through modes of artistic research. The project explores various forms of contemporary film practices in order to explore and re-imagine city life beyond the confines of teleological conceptions. In particular, the installation and its iterative explorations relates to cinema aesthetics and its political confrontation with the mono-focal conception of cinema and its projection norms. en_ZA
dc.description.abstract The performance lecture served as an exegesis for the installation project on the city titled Asymmetries (2018/19/20). The installation and its various iterations were conceived as a making-thinking-spectatorial research project on the urban, premised on strategies developed through modes of artistic research. The project explores various forms of contemporary film practices in order to explore and re-imagine city life beyond the confines of teleological conceptions. In particular, the installation and its iterative explorations relates to cinema aesthetics and its political confrontation with the mono-focal conception of cinema and its projection norms. en_ZA
dc.language.iso en en_ZA
dc.publisher Arts Research Africa, The Wits School of Arts, University of the Witwatersrand en_ZA
dc.rights Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists en_ZA
dc.subject artistic research, arts research, decolonisation, arts pedagogy, en_ZA
dc.title Itinerant/Iterative Cartographies: Explorations in Cinematic Practices en_ZA
dc.type Article en_ZA
dc.description.librarian Christo Doherty 2020 en_ZA
dc.citation.doi https://doi.org/10.17605/OSF.IO/CYBHK en_ZA
dc.funder The Andrew W. Mellon Foundation en_ZA
dc.book.title Proceedings of the Arts Research Africa Conference 2020 en_ZA
dc.faculty Humanities en_ZA
dc.school The Wits School of Arts en_ZA


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