Itinerant/Iterative Cartographies: Explorations in Cinematic Practices
dc.book.title | Proceedings of the Arts Research Africa Conference 2020 | en_ZA |
dc.citation.doi | https://doi.org/10.17605/OSF.IO/CYBHK | en_ZA |
dc.contributor.author | Mntambo, Nduka | |
dc.date.accessioned | 2020-07-08T12:38:06Z | |
dc.date.available | 2020-07-08T12:38:06Z | |
dc.date.issued | 2020-07 | |
dc.description | The performance lecture served as an exegesis for the installation project on the city titled Asymmetries (2018/19/20). The installation and its various iterations were conceived as a making-thinking-spectatorial research project on the urban, premised on strategies developed through modes of artistic research. The project explores various forms of contemporary film practices in order to explore and re-imagine city life beyond the confines of teleological conceptions. In particular, the installation and its iterative explorations relates to cinema aesthetics and its political confrontation with the mono-focal conception of cinema and its projection norms. | en_ZA |
dc.description.abstract | The performance lecture served as an exegesis for the installation project on the city titled Asymmetries (2018/19/20). The installation and its various iterations were conceived as a making-thinking-spectatorial research project on the urban, premised on strategies developed through modes of artistic research. The project explores various forms of contemporary film practices in order to explore and re-imagine city life beyond the confines of teleological conceptions. In particular, the installation and its iterative explorations relates to cinema aesthetics and its political confrontation with the mono-focal conception of cinema and its projection norms. | en_ZA |
dc.description.librarian | Christo Doherty 2020 | en_ZA |
dc.faculty | Humanities | en_ZA |
dc.funder | The Andrew W. Mellon Foundation | en_ZA |
dc.identifier.citation | The performance lecture served as an exegesis for the installation project on the city titled Asymmetries (2018/19/20). The installation and its various iterations were conceived as a making-thinking-spectatorial research project on the urban, premised on strategies developed through modes of artistic research. The project explores various forms of contemporary film practices in order to explore and re-imagine city life beyond the confines of teleological conceptions. In particular, the installation and its iterative explorations relates to cinema aesthetics and its political confrontation with the mono-focal conception of cinema and its projection norms. | en_ZA |
dc.identifier.uri | https://hdl.handle.net/10539/29230 | |
dc.language.iso | en | en_ZA |
dc.publisher | Arts Research Africa, The Wits School of Arts, University of the Witwatersrand | en_ZA |
dc.rights | Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists | en_ZA |
dc.school | The Wits School of Arts | en_ZA |
dc.subject | artistic research, arts research, decolonisation, arts pedagogy, | en_ZA |
dc.title | Itinerant/Iterative Cartographies: Explorations in Cinematic Practices | en_ZA |
dc.type | Article | en_ZA |
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