Electronic Theses and Dissertations (Masters)

Permanent URI for this collectionhttps://hdl.handle.net/10539/37948

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Explicit and Implicit Cultural Policies: A Critical Analysis of the Role and Impact of Cultural Policies that Govern the Television Sector in Botswana
(University of the Witwatersrand, Johannesburg, 2024) Selolwane, Marang; Chatikobo, Munyaradzi
3 Abstract The cultural policy landscape in Botswana is characterized by considerable ambiguity, with far-reaching implications for both the television sector and the broader media environment. Deploying the lenses of implicit and explicit cultural policies, stakeholder management, and intergovernmental relations, the study critically examines the role of policy in propelling Botswana's television sector forward. This paper establishes that the television industry in Botswana faces obstacles due to a convoluted regulatory framework and insufficient cooperation among stakeholders, leading to governance issues and impeding industry advancement. It highlights deficiencies in policy implementation and calls for enhanced collaboration between government departments and broadcasting entities to tackle governance challenges and foster sectoral expansion. The research addressed both theoretical and practical gaps in television regulation in Botswana, advocating for the establishment of a more cohesive and coordinated policy framework to facilitate sustainable growth within the sector. The central argument made in the paper is that the television sector in Botswana is shaped more by implicit cultural policies than explicit cultural policies, and therefore effective coordination and management of stakeholders driving both implicit and explicit cultural policies need to be located in both the Ministry of Youth, Gender, Sport, and Culture and the Ministry for State President to strike an equilibrium of interests and influence.
(Il)legitimacy of Freelance Artists: Exploring Current Government Legislation and Policies that Influence Economic Exclusion and Inclusion of South African Freelance Artists
(University of the Witwatersrand, Johannesburg, 2024-03) Mmeti, Lehlohonolo Tebalelo Rudy Matome; Chatikobo, Munyaradzi
The prevailing descriptors—such as "illegitimate," "non-compliant," "unprofessional," and "informal"—resonate globally, attributing a lack of structure to freelance artistry. This characterization places these artists in precarious legal and economic positions, hindering access to fundamental employment benefits, credit, loans, and housing. Therefore, it is imperative to answer the central questions, Which legislative measures and policies currently influence the economic integration, compliance and legitimacy of freelance profession within Cultural Creative Industry and Economy in South Africa? The scarcity of literature on the subject prompts an exploration into the legislative landscape, framed by the notion that policy acts as a guiding roadmap. The central argument is that existing policies failure to adequately address the unique challenges faced by South African freelance artists, leaving a critical void in understanding their economic participation. Focused on a qualitative methodology, the research examines documents and policies to unravel the impact on freelance artists' economic standing, employing lenses that navigate the intersections of formality and informality within the Cultural Creative Industries. The research underscores the imperative to bridge this knowledge gap, arguing for targeted interventions to rectify the economic disparities and (il)legitimacy associated with freelance artists in South Africa. It is through the aims and objectives of this research that I was be able to come with a concrete understating of the landscape so appropriate intervention measures can be suggested.