School of Literature, Language and Media (ETDs)

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Browsing School of Literature, Language and Media (ETDs) by Department "Department of English Studies"

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    Dante: Traces of the Prophetic
    (University of the Witwatersrand, Johannesburg, 2023-06) Mfenyana, Deneo Thabisa; Houliston, Victor
    The purpose of this project is the scrutiny of the vocational claims that Dante makes throughout his Commedia. Engaging the prophet-poet dichotomy through gradations of authorial authority, I place Dante within many vocations from prophet to poet, including mystic, philosopher and theologian, settling ultimately on Dante as a sort of seer, one who communicates parables as The Christ is known to do, but, making it expressly clear that his theological inaccuracies place him beneath biblical prophets in authority. The conscious strategies that Dante employs to secure auctoritas for his poem such as employing the biblical mystical senses, and resting on the shoulders of Virgil his philosophical and poetic auctor will be examined, showing intent in Dante to induce suspension of disbelief in his readers pertaining his vocational claims.
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    Precarious spaces: intersections of gendered identity and violence in Zimbabwean literature
    (University of the Witwatersrand, Johannesburg, 2022-12) Chando, Aaron; Nyanda, Josiah; Muponde, Robert
    This thesis examines ways in which selected Zimbabwean literary works expand understandings of the cultural production and deconstruction of precarity. It seeks to advance the claim that a cross-section of Zimbabwean writers espouses a ‘precarious aesthetic’ to reimagine the nation by deconstructing cultural practices that produce and sustain precarity. I postulate that precarity is ideologically produced at the intersections of gendered identities and institutionalised forms of violence, such as ethnonationalism, heteropatriarchal policing, ableism, homophobia, and misogyny, where notional understandings of masculinity and femininity become central to the politics of (un)belonging. I draw on premises from precarity, gendered identities, and intersectionality studies to make a case for a space-bound understanding of precarity that recognises Zimbabwean textual nuances and environmental specificities. By deploying Western-based theorisations of precarity to address dynamics of disempowerment in a Zimbabwean context, I seek to demonstrate that precarity discourses are in a constant process of becoming and to expand discursive space on a subject that has been predominantly approached through tropes of drought and hunger. A cross-cutting premise in precarity studies is that the experience of marginalisation promotes radical thinking, which enables victims to weaponise their condition. This underwrites my assumption that all marginalising impulses leave spaces for pushback, strategic surrender, and self-affirmation. Therefore, throughout the five core chapters of the thesis, I adopt a close reading strategy to offer context-specific evaluations of refusal politics undertaken by precarious subjects in different sites of displacement. I propose that exploring overlaps among marginalising ideologies and pushback mechanisms can unravel new insights about the political function of vulnerability and bring forth a new grammar with which to talk about precarity. Overall, I argue that the literary front constitutes a site of reinvention where precarious subjects are radically written into existence and where diversity and difference are recast as indices of social hygiene.
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    The ‘madness account’: An examination of madness and writing within the fictional and autobiographical works of Bessie Head and Janet Frame
    (University of the Witwatersrand, Johannesburg, 2023-08) Hovelmeier, Sinéad Katherine; Van Schalkwyk, Simon
    Bessie Head and Janet Frame are two writers who have not been read comparatively. Despite this, both authors engage in writing about ‘madness’. Bessie Head presents madness in her fictional work A Question of Power (1973) as well as in her various life-writings (letters). Janet Frame presents madness in her fictional work Faces in the Water (1961) and her autobiography An Autobiography (1982). The current field labels these fictional works as ‘autobiographical’, and it pays close attention to madness as one area where the supposed commonalities between life experiences and fictional accounts justify this labelling. Current research on autobiography is divided along the individualist tradition of ‘male’ autobiography and the newer forms of autobiography, which not only employ the ‘autobiographical pact’ but stretch the conventions of autobiography into a whole host of emerging subcategories (autofiction, confessional literature, faction etc.). The current field does not consider that equating a ‘mad’ author with a ‘mad’ character in fiction is a limited approach to representations of madness. Focusing on ‘scriptotherapy’ and the ‘madness account’, my research addresses this gap in the literature. Reading the texts comparatively produced varied results for ‘madness’; Frame’s account of madness is richest in the fiction she decidedly claimed as not autobiographical, while Head’s life-writings reveal her fictional account of ‘madness’ as autobiographical but dissatisfying, it fails to express her real-life experiences accurately. Reading all four texts together and applying ‘scriptotherapy’ to each provides insights into the role of ‘madness’ within each text and its impact on each author. This research fills a gap in the current research by revealing a broader view of ‘madness’ in the works of both Frame and Head.