Electronic Theses and Dissertations (Masters)

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Browsing Electronic Theses and Dissertations (Masters) by Department "Department of English Studies"

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    Dante: Traces of the Prophetic
    (University of the Witwatersrand, Johannesburg, 2023-06) Mfenyana, Deneo Thabisa; Houliston, Victor
    The purpose of this project is the scrutiny of the vocational claims that Dante makes throughout his Commedia. Engaging the prophet-poet dichotomy through gradations of authorial authority, I place Dante within many vocations from prophet to poet, including mystic, philosopher and theologian, settling ultimately on Dante as a sort of seer, one who communicates parables as The Christ is known to do, but, making it expressly clear that his theological inaccuracies place him beneath biblical prophets in authority. The conscious strategies that Dante employs to secure auctoritas for his poem such as employing the biblical mystical senses, and resting on the shoulders of Virgil his philosophical and poetic auctor will be examined, showing intent in Dante to induce suspension of disbelief in his readers pertaining his vocational claims.
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    The ‘madness account’: An examination of madness and writing within the fictional and autobiographical works of Bessie Head and Janet Frame
    (University of the Witwatersrand, Johannesburg, 2023-08) Hovelmeier, Sinéad Katherine; Van Schalkwyk, Simon
    Bessie Head and Janet Frame are two writers who have not been read comparatively. Despite this, both authors engage in writing about ‘madness’. Bessie Head presents madness in her fictional work A Question of Power (1973) as well as in her various life-writings (letters). Janet Frame presents madness in her fictional work Faces in the Water (1961) and her autobiography An Autobiography (1982). The current field labels these fictional works as ‘autobiographical’, and it pays close attention to madness as one area where the supposed commonalities between life experiences and fictional accounts justify this labelling. Current research on autobiography is divided along the individualist tradition of ‘male’ autobiography and the newer forms of autobiography, which not only employ the ‘autobiographical pact’ but stretch the conventions of autobiography into a whole host of emerging subcategories (autofiction, confessional literature, faction etc.). The current field does not consider that equating a ‘mad’ author with a ‘mad’ character in fiction is a limited approach to representations of madness. Focusing on ‘scriptotherapy’ and the ‘madness account’, my research addresses this gap in the literature. Reading the texts comparatively produced varied results for ‘madness’; Frame’s account of madness is richest in the fiction she decidedly claimed as not autobiographical, while Head’s life-writings reveal her fictional account of ‘madness’ as autobiographical but dissatisfying, it fails to express her real-life experiences accurately. Reading all four texts together and applying ‘scriptotherapy’ to each provides insights into the role of ‘madness’ within each text and its impact on each author. This research fills a gap in the current research by revealing a broader view of ‘madness’ in the works of both Frame and Head.