Decolonial AestheSis Parcours

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dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/3GMEPen_ZA
dc.contributor.authorKhan, Sharlene
dc.contributor.authorAsfour, Fouad
dc.date.accessioned2020-07-08T10:36:41Z
dc.date.available2020-07-08T10:36:41Z
dc.date.issued2020-07
dc.descriptionArts Research Africa Conference Proceeding 2020
dc.description.abstractThe Decolonial AestheSis Parcours is made up of exercises informed not only by recent theories around decolonial aestheSis, but by Black and African Feminist creativities, Critical Race Theories, postcolonial histories, liberal arts pedagogies, and anti-hegemonial cultural movements. The workshop invites participants to reflect on non-hierarchical relationships, embodied knowledges, creative theorisation, the African Feminist concept of theorising from the epicentres of our agency, the use of imagination as a tool of freedom and experimentation, the need for interrogation of capitalist modes of artistic production, interconnectivities, as well as the need for critical pleasure.en_ZA
dc.description.submitterCD2020
dc.facultyFaculty of Humanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29217
dc.language.isoenen_ZA
dc.publisherArts Research Africa (ARA)en_ZA
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.rights© 2020 Arts Research Africa. Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellistsen_ZA
dc.schoolSchool of Artsen_ZA
dc.subjectArtistic researchen_ZA
dc.subjectArts research
dc.subjectArts research
dc.subjectDecolonisation
dc.subjectArts pedagogy
dc.titleDecolonial AestheSis Parcoursen_ZA
dc.typePresentationen_ZA
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