Decolonial AestheSis Parcours

Thumbnail Image

Date

2020-07

Authors

Khan, Sharlene
Asfour, Fouad

Journal Title

Journal ISSN

Volume Title

Publisher

Arts Research Africa (ARA)
University of the Witwatersrand, Johannesburg

Abstract

The Decolonial AestheSis Parcours is made up of exercises informed not only by recent theories around decolonial aestheSis, but by Black and African Feminist creativities, Critical Race Theories, postcolonial histories, liberal arts pedagogies, and anti-hegemonial cultural movements. The workshop invites participants to reflect on non-hierarchical relationships, embodied knowledges, creative theorisation, the African Feminist concept of theorising from the epicentres of our agency, the use of imagination as a tool of freedom and experimentation, the need for interrogation of capitalist modes of artistic production, interconnectivities, as well as the need for critical pleasure.

Description

Arts Research Africa Conference Proceeding 2020

Keywords

Artistic research, Arts research, Arts research, Decolonisation, Arts pedagogy

Citation

Endorsement

Review

Supplemented By

Referenced By