Dream Translation and African Artistic Research

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dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/4UJ9Wen_ZA
dc.contributor.authorJacobs, Jason
dc.date.accessioned2020-07-08T08:57:45Z
dc.date.available2020-07-08T08:57:45Z
dc.date.issued2020-07
dc.descriptionCan dreams provide new ways of representing the postcolonial brown male body in contemporary theatre? When devising the performance, Ek was in die skemer, my body (and the memories contained within the body) became the locus of intersecting and generating memories and dreams as material for the stage.en_ZA
dc.description.abstractCan dreams provide new ways of representing the postcolonial brown male body in contemporary theatre? When devising the performance, Ek was in die skemer, my body (and the memories contained within the body) became the locus of intersecting and generating memories and dreams as material for the stage.en_ZA
dc.description.librarianChristo Doherty 2020en_ZA
dc.facultyHumanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.citationCan dreams provide new ways of representing the postcolonial brown male body in contemporary theatre? When devising the performance, Ek was in die skemer, my body (and the memories contained within the body) became the locus of intersecting and generating memories and dreams as material for the stage.en_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29204
dc.language.isoenen_ZA
dc.publisherArts Research Africa, The Wits School of Arts, University of the Witwatersranden_ZA
dc.rightsLicensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellistsen_ZA
dc.schoolThe Wits School of Artsen_ZA
dc.subjectartistic research, arts research, decolonisation, arts pedagogy,en_ZA
dc.titleDream Translation and African Artistic Researchen_ZA
dc.typeArticleen_ZA
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