Constructing the Afrocyborg in VR 360 Cinema: A Critical Investigation into how Two African Women Filmmakers Collaborate to Construct Prosocial African Science Fiction in Virtual Reality Filmmaking

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dc.contributor.authorPasschier, Shmerah
dc.contributor.co-supervisorKoba, Yolo
dc.contributor.supervisorSakota, Tanja
dc.date.accessioned2024-08-14T08:08:46Z
dc.date.available2024-08-14T08:08:46Z
dc.date.issued2023-10
dc.departmentDepartment of Film and Television
dc.descriptionThis thesis submitted towards the PhD by creative project and dissertation, in the Faculty of Humanities, Wits School of Arts, Department of Film and Television, at the University of the Witwatersrand, Johannesburg, 2023.
dc.description.abstractThe Afrocyborg semiotic construct is a neologism inspired by cyborg scholarship, beginning with Donna Haraway’s 1985, A Cyborg Manifesto, which materialised at the zenith of the Third Industrial Revolution (3IR), and the appearance of the domestic personal computer (PC) in the late twentieth century. This contribution to cyborg discourse re-focuses the Western science/fiction gaze of “cyborgology” by foregrounding African cyborg realities at the centre of the new zeitgeist of 4IR-driven XR technologies, specifically the VR HMD as an immersive computing device, which is a cyborg prosthetic extension of human ocular abilities (Gray 1995: 1). Moratiwa Molema and I formed the Afrocyborg VR Collective as an Afro-technofeminist coalition, and solidarity support group for collective womanist filmmaking. This methodology foregrounds the technological empowerment of women in relation to VR as a medium while focusing on prosocial subject matter in the domains of eco-justice and racial-gender-justice (Ogunyemi 2006: 21). For this reason, the Afrocyborg VR Collective make Prosocial VR films in the genre of African Science Fiction, which is a counter-hegemonic narrative lens through which to generate “cyborg consciousness” about “oppositional consciousness” (Sandoval 2020: 408; hooks 1992: 264). Cyborg oppositional consciousness is expressed as “Fourth VR” (Wallis & Ross 2020: 1). An Afro-technofeminist, technopolitical framework advances filmmaking discourse and praxis by autodidactic online learning of how to operate VR equipment, thereby overcoming our tech-inferiority complex with a thought experiment we call the “Dora Milaje mind trick” (Coogler 2018). As we learn, we also teach VR skills to our students and communities of youth to share knowledge of 4IR tools, specifically with women, to empower them with 4IR STEAM skills as a technopolitical, educational and future-proofing empowerment strategy. The Afrocyborg Collective has made two VR films in the genre of Prosocial VR as part of the creative praxis of Quantum Botho/Ubuntu in the making of The Cosmic Egg, which is a call to elevated environmental consciousness, and The Eye of Rre Mutwa, which confronts “white fragility” about the technological developments of the 4IR (DiAngelo 2018). By experimenting with new gaze regimes offered by the exponential medium of VR, with its multiple lenses that create 360-degree spherical story worlds, we demonstrate how the “medium is the muthi” when used in the mode of Prosocial VR. Therefore, the construction of an expanded prosocial gaze in VR, in the genre of African futurism, contributes to the decolonial undoing of oppressive power structures by generating representations of Africa that seek to apprehend the stereotypes of Hegelian racial prejudice and “poverty porn” that persist in global media representations (Kahiu 2017).
dc.description.sponsorshipAFDA: The School for The Creative Economy.
dc.description.submitterMM2024
dc.facultyFaculty of Humanities
dc.identifier.citationPasschier, Shmerah. (2023). Constructing the Afrocyborg in VR 360 Cinema: A Critical Investigation into how Two African Women Filmmakers Collaborate to Construct Prosocial African Science Fiction in Virtual Reality Filmmaking. [PhD thesis, University of the Witwatersrand, Johannesburg]. WIReDSpace. https://hdl.handle.net/10539/40093
dc.identifier.urihttps://hdl.handle.net/10539/40093
dc.language.isoen
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.rights©2023 University of the Witwatersrand, Johannesburg. All rights reserved. The copyright in this work vests in the University of the Witwatersrand, Johannesburg. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of University of the Witwatersrand, Johannesburg.
dc.rights.holderUniversity of the Witwatersrand, Johannesburg
dc.schoolWits School of Arts
dc.subjectCyborg Feminism
dc.subjectCyborg anthropology
dc.subjectVirtual Reality
dc.subjectAugmented Reality
dc.subject4IR, VR, AR and AI
dc.subjectArtificial Intelligence
dc.subjectData-colonialism
dc.subjectPost-colonialism
dc.subjectAfrican feminism
dc.subjectPan-Africanism
dc.subjectFilmmaking
dc.subjectMedia
dc.subjectTwenty-first century
dc.subjectProsocial VR
dc.subjectFourth VR
dc.subjectProsocial-AI
dc.subjectUbuntu/Botho
dc.subjectAfrican Science Fiction
dc.subjectCredo Mutwa
dc.subjectQuantum Ubuntu
dc.subjectWhite fragility
dc.subjectAfropolitan
dc.subjectOppositional gaze
dc.subjectRhizome
dc.subjectTentacular
dc.subjectCyberfeminism
dc.subjectAlgorithms of oppression
dc.subjectUCTD
dc.subject.otherSDG-9: Industry, innovation and infrastructure
dc.titleConstructing the Afrocyborg in VR 360 Cinema: A Critical Investigation into how Two African Women Filmmakers Collaborate to Construct Prosocial African Science Fiction in Virtual Reality Filmmaking
dc.typeThesis
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