Africanity and Orality in the Films/Videos of Women Filmmakers of the African Diaspora

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dc.contributor.authorEbrahim, Haseenah
dc.date.accessioned2014-09-13T09:56:54Z
dc.date.available2014-09-13T09:56:54Z
dc.date.issued1998
dc.departmentInterdisciplinary Arts and Culture Studies
dc.description.abstractIn this essay, I consider the role of African cultural heritage and of oral tradition in selected films/videos by women filmmakers of the African Diaspora. for practical purposes, I limit the scope of my analysis to the works of a handful of filmmakers in the United States and the Caribbean: Julie Dash (USA), Euzhan Palcy (Martinique/France), Zeinabu irene Davis (USA), and Gloria Rolando (Cuba).en_ZA
dc.facultyFaculty of Humanities
dc.identifier.urihttp://hdl.handle.net/10539/15538
dc.language.isoen_USen_ZA
dc.publisherDeep Focus: A Film Quarterlyen_ZA
dc.schoolSchool of Arts
dc.subjectAfricanityen_ZA
dc.subjectOralityen_ZA
dc.subjectBlack women filmmakersen_ZA
dc.subjectAfrican diasporaen_ZA
dc.subjectFilmen_ZA
dc.subjectCinemaen_ZA
dc.subjectJulie Dashen_ZA
dc.subjectEuzhan Palcyen_ZA
dc.subjectZeinabu irene Davisen_ZA
dc.subjectGloria Rolandoen_ZA
dc.subjectMother of the Riveren_ZA
dc.subjectDaughters of the Dusten_ZA
dc.subjectSugar Cane Alleyen_ZA
dc.subjectOggunen_ZA
dc.titleAfricanity and Orality in the Films/Videos of Women Filmmakers of the African Diasporaen_ZA
dc.typeArticleen_ZA
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