Africanity and Orality in the Films/Videos of Women Filmmakers of the African Diaspora
dc.contributor.author | Ebrahim, Haseenah | |
dc.date.accessioned | 2014-09-13T09:56:54Z | |
dc.date.available | 2014-09-13T09:56:54Z | |
dc.date.issued | 1998 | |
dc.department | Interdisciplinary Arts and Culture Studies | |
dc.description.abstract | In this essay, I consider the role of African cultural heritage and of oral tradition in selected films/videos by women filmmakers of the African Diaspora. for practical purposes, I limit the scope of my analysis to the works of a handful of filmmakers in the United States and the Caribbean: Julie Dash (USA), Euzhan Palcy (Martinique/France), Zeinabu irene Davis (USA), and Gloria Rolando (Cuba). | en_ZA |
dc.faculty | Faculty of Humanities | |
dc.identifier.uri | http://hdl.handle.net/10539/15538 | |
dc.language.iso | en_US | en_ZA |
dc.publisher | Deep Focus: A Film Quarterly | en_ZA |
dc.school | School of Arts | |
dc.subject | Africanity | en_ZA |
dc.subject | Orality | en_ZA |
dc.subject | Black women filmmakers | en_ZA |
dc.subject | African diaspora | en_ZA |
dc.subject | Film | en_ZA |
dc.subject | Cinema | en_ZA |
dc.subject | Julie Dash | en_ZA |
dc.subject | Euzhan Palcy | en_ZA |
dc.subject | Zeinabu irene Davis | en_ZA |
dc.subject | Gloria Rolando | en_ZA |
dc.subject | Mother of the River | en_ZA |
dc.subject | Daughters of the Dust | en_ZA |
dc.subject | Sugar Cane Alley | en_ZA |
dc.subject | Oggun | en_ZA |
dc.title | Africanity and Orality in the Films/Videos of Women Filmmakers of the African Diaspora | en_ZA |
dc.type | Article | en_ZA |