Africanity and Orality in the Films/Videos of Women Filmmakers of the African Diaspora

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Date

1998

Authors

Ebrahim, Haseenah

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Deep Focus: A Film Quarterly

Abstract

In this essay, I consider the role of African cultural heritage and of oral tradition in selected films/videos by women filmmakers of the African Diaspora. for practical purposes, I limit the scope of my analysis to the works of a handful of filmmakers in the United States and the Caribbean: Julie Dash (USA), Euzhan Palcy (Martinique/France), Zeinabu irene Davis (USA), and Gloria Rolando (Cuba).

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Keywords

Africanity, Orality, Black women filmmakers, African diaspora, Film, Cinema, Julie Dash, Euzhan Palcy, Zeinabu irene Davis, Gloria Rolando, Mother of the River, Daughters of the Dust, Sugar Cane Alley, Oggun

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