White Italian Masculinity through the Frame of Visual and Performance art

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dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/UHW7Ten_ZA
dc.contributor.authorGenovese, Nicola
dc.date.accessioned2020-07-08T09:41:48Z
dc.date.available2020-07-08T09:41:48Z
dc.date.issued2020-07
dc.descriptionThe main goal of this research is to develop a visual, performative language through sculpture and performance that might advance critical perspectives on issues linked to non-hegemonic forms of masculinities. This means dissecting the complexity of the white male privilege trope and investigating the dynamics of the so-called “masculinity in crisis.” Specifically, the research aims to analyse the red line that links national rhetoric, new populism, and masculinity in crisis in the Italian context in the frame of the economic changes and new immigration wave of the last decade.en_ZA
dc.description.abstractThe main goal of this research is to develop a visual, performative language through sculpture and performance that might advance critical perspectives on issues linked to non-hegemonic forms of masculinities. This means dissecting the complexity of the white male privilege trope and investigating the dynamics of the so-called “masculinity in crisis.” Specifically, the research aims to analyse the red line that links national rhetoric, new populism, and masculinity in crisis in the Italian context in the frame of the economic changes and new immigration wave of the last decade.en_ZA
dc.description.librarianChristo Doherty 2020en_ZA
dc.facultyHumanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.citationThe main goal of this research is to develop a visual, performative language through sculpture and performance that might advance critical perspectives on issues linked to non-hegemonic forms of masculinities. This means dissecting the complexity of the white male privilege trope and investigating the dynamics of the so-called “masculinity in crisis.” Specifically, the research aims to analyse the red line that links national rhetoric, new populism, and masculinity in crisis in the Italian context in the frame of the economic changes and new immigration wave of the last decade.en_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29208
dc.language.isoenen_ZA
dc.publisherArts Research Africa, The Wits School of Arts, University of the Witwatersranden_ZA
dc.rightsLicensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellistsen_ZA
dc.schoolThe Wits School of Artsen_ZA
dc.subjectartistic research, arts research, decolonisation, arts pedagogy,en_ZA
dc.titleWhite Italian Masculinity through the Frame of Visual and Performance arten_ZA
dc.typeArticleen_ZA
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Article - A Novanta (90 degrees): A dissection of a set of gestures
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