Paradise Fallen Xenoepistemics: Stopgap Notes on Site-Specificity

dc.contributor.authorMarie, Zen
dc.date.accessioned2025-07-21T06:36:22Z
dc.date.issued2024
dc.descriptionA research report submitted in fulfillment of the requirements for the Doctor of Philosophy, In the Faculty of Humanities, Wits School of Art, University of the Witwatersrand, Johannesburg, 2024
dc.description.abstractParadise Fallen, Xenoepistemics: Stopgap Notes on Site-Specificity, is a Doctor of Philosophy in Fine Art that critically engages with the concept of site-specificity through an extended period of practice-based research. Overall, the work is an interrogation of the multiple sites that inform the PhD, as the PhD is itself interrogated as a site of knowledge production. As a form of practice-based postgraduate research, the work consists of a creative component, which includes numerous iterations of performative practice. These installations and exhibitions are accumulated as documentation that is written into, and edited alongside, more fragmentary notes and speculations. There are passages of more conventional scholarship that are included, which are collected from published and unpublished writing across the period of doctoral study. The links to the practical work can be found within the PDF.
dc.description.submitterMM2025
dc.facultyFaculty of Humanities
dc.identifier0009-0008-4018-2079
dc.identifier.citationMarie, Zen. (2024). Paradise Fallen Xenoepistemics: Stopgap Notes on Site-Specificity [PhD thesis, University of the Witwatersrand, Johannesburg]. WIReDSpace. https://hdl.handle.net/10539/45643
dc.identifier.urihttps://hdl.handle.net/10539/45643
dc.language.isoen
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.rights© 2024 University of the Witwatersrand, Johannesburg. All rights reserved. The copyright in this work vests in the University of the Witwatersrand, Johannesburg. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of University of the Witwatersrand, Johannesburg.
dc.rights.holderUniversity of the Witwatersrand, Johannesburg
dc.schoolWits School of Arts
dc.subjectUCTD
dc.subjectPractice based research
dc.subjectcreative research
dc.subjectvideo installation
dc.subjectlens based practice
dc.subjectscreen based practice
dc.subjectphotography
dc.subjectvideo art
dc.subjectsite specificity
dc.subjectrelational aesthetics
dc.subjectmeta criticism
dc.subjectself reflexivity
dc.subjectparatextuality
dc.subjectdispositif
dc.subjectapparatus
dc.subjectxenoepistemics
dc.subjectart school
dc.subjectuniversity
dc.subjectsonic intervention
dc.subjectcritique
dc.subjectconvolutes
dc.subjectdossier
dc.subjectcritical pedagogies
dc.subjectcritical epistemology
dc.subjectpoesis
dc.subjectdecolonial epistemology
dc.subject.primarysdgSDG-4: Quality education
dc.titleParadise Fallen Xenoepistemics: Stopgap Notes on Site-Specificity
dc.typeThesis

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