The colonising laughter in Mr Bones and Sweet and short

dc.contributor.authorMamatu, Tsepo
dc.date.accessioned2008-05-26T09:25:11Z
dc.date.available2008-05-26T09:25:11Z
dc.date.issued2008-05-26T09:25:11Z
dc.description.abstractThis research explores the element of the colonial laughter in Leon Schuster’s projects, Mr.Bones and Sweet and Short. I engage with the theories of progressive black scholars in discussing the way Schuster represents black people in these projects. I conclude by probing what the possibilities are in as far as rupturing the paradigms of negative imaging that Schuster, and those that support the idea of white supremacy through their projects, seek/s to normalise.en
dc.format.extent169851 bytes
dc.format.extent10043 bytes
dc.format.mimetypeapplication/pdf
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10539/4885
dc.language.isoenen
dc.titleThe colonising laughter in Mr Bones and Sweet and shorten
dc.typeThesisen
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