Opticality and tactility in selected South African still-life painting

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dc.contributor.authorFarber, Leora Naomi
dc.date.accessioned2017-07-18T09:26:06Z
dc.date.available2017-07-18T09:26:06Z
dc.date.issued1992
dc.descriptionA dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in fine Arts Johannesburg 1992en_ZA
dc.description.abstractThis research examines some ways in which source material is interpreted in still life painting. These interpretations will be explored from two positions in painting. For my purposes, these positions will be termed opticality and tactility. [Abbreviated Abstract. Open document to view full version][
dc.description.librarianMT2017en_ZA
dc.format.extentOnline resource (147 leaves)
dc.identifier.citationFarber, Leora Naomi (1992) Opticality and tactility in selected South African still-life painting, University of the Witwatersrand, Johannesburg,<http://hdl.handle.net/10539/23004>
dc.identifier.urihttp://hdl.handle.net/10539/23004
dc.language.isoenen_ZA
dc.subject.lcshStill-life painting, South African
dc.titleOpticality and tactility in selected South African still-life paintingen_ZA
dc.typeThesisen_ZA
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