Opticality and tactility in selected South African still-life painting

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1992

Authors

Farber, Leora Naomi

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Abstract

This research examines some ways in which source material is interpreted in still life painting. These interpretations will be explored from two positions in painting. For my purposes, these positions will be termed opticality and tactility. [Abbreviated Abstract. Open document to view full version][

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A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in fine Arts Johannesburg 1992

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Farber, Leora Naomi (1992) Opticality and tactility in selected South African still-life painting, University of the Witwatersrand, Johannesburg,<http://hdl.handle.net/10539/23004>

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