Faculty of Humanities (ETDs)

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    Women, State Law, And the Crisis of Chieftaincy: The Case Of Nswazi Village In Zimbabwe
    (University of the Witwatersrand, Johannesburg, 2024) Muradzikwa, Tracey C.; Dube, S.I.
    Increasingly, post-colonial African states have been grappling with the issue of the gender- gap within traditional leadership institutions, resulting in contestations between state laws and traditional customary laws. Using the landmark succession of Indunakazi Sinqobile Mabhena of Nswazi in Umzingwane district, Matabeleland South, Zimbabwe as a case study, the dissertation provides a new perspective on female traditional leadership through studying the in-depth the negotiation of the legitimacy of Mabhena’s chieftaincy. The study is a “feminist ethnography” of the daily life of Chief Mabhena in a Nswazi community to establish how the governance strategies of women chiefs are configured in practice, with a focus on debates and contention regarding the succession and legitimacy of Indunakazi Mabhena. Drawing on more than one year of fieldwork and making use of a qualitative narrative ethnographic research methods, the Zimbabwean case shows how African women play a significant role in the reconceptualization of legitimacy in traditional leadership and the perceptions of the people of Nswazi on the legitimacy of Indunakazi Mabhena in particular. A key finding of the thesis is that the legitimacy of traditional leaders primarily lies with the community accepting the rulership of the appointed leader through celebrations, ceremonies, and commitment to the well-being of the people that preserve their heritage and lineage. To that end, the naturalization of male chieftaincy primogeniture is put to question.
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    (Il)legitimacy of Freelance Artists: Exploring Current Government Legislation and Policies that Influence Economic Exclusion and Inclusion of South African Freelance Artists
    (University of the Witwatersrand, Johannesburg, 2024-03) Mmeti, Lehlohonolo Tebalelo Rudy Matome; Chatikobo, Munyaradzi
    The prevailing descriptors—such as "illegitimate," "non-compliant," "unprofessional," and "informal"—resonate globally, attributing a lack of structure to freelance artistry. This characterization places these artists in precarious legal and economic positions, hindering access to fundamental employment benefits, credit, loans, and housing. Therefore, it is imperative to answer the central questions, Which legislative measures and policies currently influence the economic integration, compliance and legitimacy of freelance profession within Cultural Creative Industry and Economy in South Africa? The scarcity of literature on the subject prompts an exploration into the legislative landscape, framed by the notion that policy acts as a guiding roadmap. The central argument is that existing policies failure to adequately address the unique challenges faced by South African freelance artists, leaving a critical void in understanding their economic participation. Focused on a qualitative methodology, the research examines documents and policies to unravel the impact on freelance artists' economic standing, employing lenses that navigate the intersections of formality and informality within the Cultural Creative Industries. The research underscores the imperative to bridge this knowledge gap, arguing for targeted interventions to rectify the economic disparities and (il)legitimacy associated with freelance artists in South Africa. It is through the aims and objectives of this research that I was be able to come with a concrete understating of the landscape so appropriate intervention measures can be suggested.