Faculty of Humanities (ETDs)
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Item The South African Arts Scene and European Cultural Institutions - A Troubled Relationship?(University of the Witwatersrand, Johannesburg, 2023-02) Heide, Josephine Elisabeth; Tagwirei, CuthbethFramed within the conceptual idea of decoloniality, this research critically investigates the power dynamic between South African artists and European cultural institutions that operate in South Africa. The study examines colonial legacies of exploitative practices, knowledge imposition and neo-colonisation disguised as charity and development aid in the Arts. It highlights the disproportionate dependence on European institutions due to a lack of sufficient sources of funding and support available to artists in South Africa. The study further establishes the legitimate place of European cultural institutions in the cultural landscape and their significant role according to the perspectives of the interview partners who shared their experiences as art practitioners and cultural policy experts. A qualitative research process comprising six semi-structured narrative interviews with South African artists was conducted. The collected data are explored using experienced-centred Narrative Analysis, focusing on the identification of colonial legacies that surface from the narratives. The research uses decolonial theory as a theoretical lens into the investigated power dynamics in the field of cultural cooperation between European institutions and South African partners. Decoloniality helps to unpack and dismantle the underlying complexities. The analysis elicits the perspectives and experiences of art practitioners which indicate perpetuated colonial relations on different levels. The study concludes with a set of recommendations for practitioners on how a more decolonised practice in the field of transcultural collaboration between South African artists and European cultural institutions can be achieved.Item Media Voices and Power: A decolonial analysis of black voices in the post-apartheid South African media landscape using City Press newspaper as an analytical focus(University of the Witwatersrand, Johannesburg, 2023-03) Mgibisa, Mbuyisi; Menon, Dilip; Daniels, GlendaThis study conducts a decolonial analysis of black voices in the post-apartheid South African media landscape using City Press newspaper as an analytical focus. For the purposes of this study, I have analysed four case studies linked to the mediation and meditation of black voices in the media and public sphere. First, this study explores the subjection of black voices inside the newsroom using the black-oriented newspaper, City Press, as an example. It assesses the structure of whiteness in that newspaper and interrogate whether it provided its black journalists with a room to write from the standpoint of “black perspective”. The second theme is an exploration and personal account of my lived experience in the typical South African neoliberal newsroom and an attempt to bring theory in order to figure out my lived experience. Third, this thesis focuses on forms of gendered and racialised forms of subjection posed by the silencing of voices of black women journalists in the South African mainstream media, including social media. And the fourth theme looks at the importance and significance of voice or speech in doing politics in the post-apartheid South Africa and interrogates how the Economic Freedom Fighters’ (EFF) has deployed its “radical black voice” through the concept of Black rage. The study utilises decolonial theory and Steve Biko’s Black Consciousness philosophy as a lens as it seeks to investigate how essentialised, racialised, politicised, gendered and lived are black voices in post 1994 South Africa media landscape and public sphere. This study, then, involves the critical analysis of four themes, all of which are integrally related. The main argument advanced in this thesis is that black voices continue to be subjected through the concept and function of coloniality. For this reason, the study not only historizes black voices as producers, users and custodians of knowledge but also situates their lived experiences. This study finds that even in the face of debilitating coloniality in our everyday lives, black voices persist through those politicised, gendered, racialised and lived negative forms of invisibility and marginalisation and think and speak from the perspective of blackness. Therefore, this thesis posits that black voices are a communicative plane on which blackness performs and articulate itself, for itself. Moreover, this study is a form of epistemic protest against systematic and systemic silencing of black voices and an attempt to counter efforts of rendering black people, in particular black women, speechless. The transdisciplinary methodological approach deployed here is, first and foremost, embedded in the theoretical framework and various methods and concepts will be operationalised to bring to light the complex and complicated nature of how black voices are mediated in the post-apartheid South African media landscape and public sphere. The interview method, which comprises a reflective commentary, and autoethnography are important components of this study. Additionally, the empirical findings through interview material, newspaper articles and tweeter feeds have been examined through discourse analysis and through the prism of the conceptual analytical tools deployed here.Item Justice as Recognition in the Ecological Community(University of the Witwatersrand, Johannesburg, 2022-06) Francis, Romain; Hamilton, LawrenceThis thesis postulates that an alternate mode of recognition is required to develop an authentic conception of justice that reconciles the subaltern’s desire for dignity with affording greater love, care, and respect for nature. Extant redistributive and recognitive justice frames within traditional western political theory and philosophy are strictly anthropocentric and restrict nature to a purely utilitarian function in the satisfaction of human needs. This maintains a moral hierarchy between humans and nature that perpetuates ecological injustice. Using decoloniality as both a method and critical analytical framework, this thesis develops and employs the coloniality of nature to illustrate that the continued destruction, exploitation, and disrespect for nature is fundamentally tied to the misrecognition of subaltern people. Misrecognition is a product of a deep-seated sociogenic problem of coloniality introduced during European colonisation, which consolidated the superior status of a hegemonic western subjectivity. Other experiences, knowledges, practices, and ways of articulating human-nature relations were rendered as non-scientific and superstitious and devoid of any value. The misrecognition of subaltern people denied humanity an opportunity to learn from other viewpoints and integrate them into an inclusive idea of justice where no single subjectivity assumes a dominant status. Centered on a decolonial love predicated on Fanon’s idea of “building the world of the You”, not the I, Us or We, this thesis draws on the principles of transculturalism and border thinking to promulgate a practical idea of justice as recognition in the context of an ecological community, that is more inclusive of other living and non-living entities. It advances a dialogical mode of recognition that attempts to achieve the following objectives: i) promote critical introspection amongst the subaltern to understand how their experience of (mis)recognition is connected to the destruction of nature, and how their attitudes towards nature were altered by the introduction of western modernity, capitalism and colonisation, ii) enable those social groups that are on the top of the ontological hierarchy to understand their role in such processes and how to address them, and iii) to demonstrate that increasing humanity’s love, care, and respect for nature is not possible without first addressing misrecognition between people.