Faculty of Humanities (ETDs)

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    Social Constructions of Criminal Victimisation and Traumatic Stress Responses in Relation to Male Victims and Gender
    (University of the Witwatersrand, Johannesburg, 2017) Gqweta, Ntokozo; Eagle, Gillian
    Literature findings suggest that there are differences in male and female trauma exposure patterns (Norris & Slone, 2013). With this background in mind the aim of the study was to analyse the kinds of discursive patterns and themes that are prominent in conversing about male and female victims of crime related trauma and about their responses to being traumatised in this way. This aim was achieved through exploring the contributions of gender related attributions to constructions of victims of crime by university students in response to scenarios presented to them. The element of particular interest in this study was the gendering of victimisation and trauma related responses, focusing especially on male victims. The participants were first year psychology students and data was collected using focus groups in which participants were asked to comment on a vignette describing a fellow student’s victimisation by mugging and their subsequent trauma related responses. Four focus groups were conducted in two of which the victim was portrayed as female and in two of which as male. The discussions from the four groups were transcribed and subject to a thematic analysis and discursive reading of the material focusing particularly on gender related material. Seven core themes emerged which were referred to as: 1) Victim blame, 2) Legitimacy of trauma reactions; 3) Desensitisation, minimising of the nature of the event and related assessment of the responses 4) Victimisation as an identity position, 5) Evaluation of the role of social support and help-seeking, 6) Gender related constructions of victimisation and traumatisation, and 7) Evidence for contestation of gender stereotypes. The participants tended to construct both the male and female victim’s traumatic experience as resulting from irresponsibility, naivety and ignorance. Furthermore, the victim’s traumatic reactions were typed as either normal or abnormal, with intense and more enduring traumatic reactions being considered abnormal and dispositional. The perception of violence and crime as ubiquitous and uncontrollable within the South African context contributed to an underplaying of the significance of the victim’s experiences. There was some indication that perceptions of the victim’s identification with the victim role contributed to an emphasis on the need for self-reliance, control and circumscribed help-seeking in relation to peers. Although there was a degree of difference in response to the gender of the hypothetical victim these differences were less marked than might have been anticipated. While rather critical evaluations of trauma responses were made in respect of both male and female victims, male victims received more censorial responses in general. It was evident that male victims of crime were viewed and constructed somewhat differently from their female counterparts and that reference to patriarchy, gender socialisation, and stereotypic masculinity appeared to play a critical role in the construction of male victims. These findings have implications for the provision of support, care, sympathy and understanding of crime and violence victims generally, and male victims in particular. .
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    ‘They stood their ground!’ – Professional Gangsters in South African Indian Society, 1940 - 1970
    (2019) Heatlie, Damon; Menon, Dilip; Bloore, Peter; Kros, Cynthia
    This thesis is one part of a Creative PhD that investigates the emergence of a new breed of South African Indian gangsters in Durban and Johannesburg in the early apartheid period. The second part, existing as a separate creative text, is a screenplay for a feature film loosely based on dynamics and events present in the Durban Indian underworld of the 1950s. In the thesis I argue that while prominent ‘professional’ Indian gangsters were similar to other ‘non-white’ gangsters in certain respects (their self-fashioning in relation to gangster films, for one), these ‘gentlemen gangsters’ were different in terms of their high level of social and economic integration into Indian society. Focusing on the Crimson League in Durban and Sherief Khan’s gang in Johannesburg, this research comprises reconstructions from (and analysis of) interviews and written sources. It shows how these hustlers positioned themselves as protectors of the Indian community, but also cultivated reputations as punishers, capable of brutal violence if opposed. In Chapter 1, I explore the world of changing South African Indian identity in the middle decades of the twentieth century, and the mobilisation of an ‘Indian’ identity by disparate groups to advance collective interests. In Chapter 2, I look at how subjugated Indian masculinity, a sense of vulnerable ‘territory’, and the rise of street gangs intersected in ritualised games of soccer and gang fights. Chapter 3 traces the rise of Durban’s dominant gang in the early apartheid period, the Crimson League, a vigilante outfit that turned to illicit activities and thuggery. Chapter 4 looks at some of the adversaries that the League engaged and ultimately defeated, including the Salots and the Michael John Gang – I dissect the John murder trial to show how the Crimson League seemingly bent the law to their will. In Chapter 5, I move on to a description of Sherief Khan’s rise to power over rival Old Man Kajee in the Indian areas of Johannesburg in the 1940s and early1950s, culminating in an analysis of his gang’s various ‘business’ activities. Chapter 6 finds Khan and company back on the streets in the 1960s - and examines a decisive conflict with contenders, the ‘Malay Mob’, that re- established Khan’s reputation as ‘South African king of the underworld’. In Chapter 7, I look at how mid-century Hollywood gangster films resonated with Indian gangsters, and how a convoluted conversation between Drum magazine, Hollywood films and Indian gangsters developed. Chapter 8 concludes the analysis with considering the thriving South African Indian cinema scene of this period, and how the cinemas functioned as multifaceted fantasy spaces for both gangsters and ordinary Indians.