3. Electronic Theses and Dissertations (ETDs) - All submissions

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    Constructions of masculinity within a non-traditional marriage : a comparative case study.
    (2013-09-27) Bell, Shannon
    Empirical research exploring the physical health of female sex workers and their risk of contracting and spreading sexually transmitted infections has been over-researched. There have also been numerous studies conducted on sex workers highlighting physical violence, rape and stigmatisation. There is, however, little empirical evidence exploring the personal lives of female sex workers especially with regards to their husbands and the impact that their wives choice in career may have on the constructions of their masculinity. Accordingly, this research aimed to qualitatively explore and understand, via a comparative in-depth case study with two married couples, how the masculinity of a man, who is married to a high-income female sex worker, may be constructed, as compared to a man who is married to a woman who is not involved in the sex industry. It was found, after conducting semi-structured, one-on-one interviews with each of the married couples, that the males constructed their masculinity in relation to their wives occupation, their income in comparison to that of their wives, their wives sexuality, familial and historical notions regarding infidelity, certainty regarding paternity, and issues of romantic jealousy (both sexual and emotional). It was found that, at least for the man from a non-traditional marriage (where his wife was a FSW), by constructing and reconstructing one’s masculinity (when faced with perceived threats regarding one's sense of masculinity), one is able to reclaim the typical patriarchal characteristics. This is done by strongly conforming (and potentially overcompensating by doing so) to traditional masculine and social patriarchal standards and/or by constructing one’s masculinity to align with a more liberal feminist perspective. Therefore one demonstrates a contemporary appreciation of gender equality and non-traditional gender roles for one’s female partner.
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    Male ballet dancers' gender identity construction : sexuality and body.
    (2012-09-03) Reeves, Megan Moya
    Male ballet dancers are often constructed as being feminine or homosexual (Bailey & Obershneider, 1997; Phillips, 2008), attributes that do not conform to the broader social ideas of what it means to be a masculine male in South Africa. Therefore, the space occupied by male ballet dancers in South Africa is one that contradicts the patriarchal ideas of masculinity and provides further insights into constructions of masculinity that do not conform to essentialist understandings. Therefore, the aim of this research report was to investigate the ways in which male ballet dancers construct their gender identities, sexualities and bodies within this contradictory space. A purposeful sample of four classically trained male ballet dancers over the age of 18 from Johannesburg, South Africa, was invited to participate in the study by means of snowball sampling. Data were collected using semi-structured interviews and were examined using narrative analysis. It was found that male ballet dancers construct their gender identities through their bodies by virtue of their performances. They believe that by linking ballet to other masculine activities, such as sport, they can better negotiate their gender identities in a context where their profession is viewed as inferior, feminine and homosexual. The findings of this research have contributed to a better understanding of gender in an alternative domain, where the ways in which male ballet dancers construct their gender identities are challenged.
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    First year students' narratives of 'race' and racism in post-apartheid South Africa.
    (2012-02-10) Puttick, Kirstan
    The democratic elections in 1994 marked the formal end of apartheid. During apartheid 'race' was, for the most part, a somewhat rigid construct which, despite many nuances and complexities, typically seemed to frame whiteness as dominant, normative and largely invisible, and blackness as subordinate and marginalised. The transformations brought about in post-apartheid South Africa have heralded many positive reformations, such as macrolevel institutional changes. However, many of apartheid's racialised patterns of privilege and deprivation persist and 'race' continues to influence the identities of South Africans. Furthermore, an inherent tension exists in South Africa's social fabric, where ‘race’ and racism are often juxtaposed against narratives of the Rainbow Nation and colourblindness. This study, which is framed by critical 'race' theory and social constructionism, aims to explore the extent of the fluidity and rigidity of 'race', racialisation and racialised identities in post-apartheid South Africa by exploring the narratives of black and white first year students. This study collected the narratives of seven black and seven white first year South African university students. It was found that South African youth identities can be seen to be functioning in relation to and reaction against both South Africa’s racialised past as well as its present socio-cultural context. It was found that the racialised patterns which characterised apartheid still impact on black and white youth identity in contemporary South Africa. For instance, despite the many disruptions to whiteness post-1994, it was noted as still being a normative and dominant construct to some extent. Similarly, despite attempts to rectify power imbalances in the new South Africa, blackness is still constructed as being somewhat other and inferior. However, many alternative voices emerged which subverted these narratives, suggesting that identity is in a state of flux. Thus, despite the continued influence of apartheid’s racialised patterns of identity, shifts and schisms are appearing in post-apartheid racialised identity, where issues of racialised dominance and power relations are no longer as clear cut as they once were.
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    Exploring talk of causality in mothers of anorexic daughters.
    (2012-02-08) Blumberg, Bianca
    This research focused primarily on exploring the talk of mothers of daughters with Anorexia Nervosa, paying specific attention to their emic perceptions of the underlying causes of Anorexia Nervosa. The research sought to reveal the discourses underpinning participants talk. Further, the way in which these discourses serve to construct Anorexia Nervosa in particular ways as well as the function these discourses serve were explored. This study is qualitative and exploratory in design and provides a unique understanding of Anorexia Nervosa in the form of emic accounts gleaned from mothers' own experiences. The findings of this research suggest that mothers of daughters with Anorexia Nervosa primarily reproduce a discourse on the causality of Anorexia Nervosa that is family or biomedically focused. Through analysis of the discourses embedded in participants’ talk, it became evident that participants reproduce discourses of gender and femininity and are influenced by societal pressure as well as the constructions of womanhood and motherhood. Insight into a side of the mother of the Anorectic, often concealed in the literature, was revealed through a semi-structured interview process with nine urban, middle-class, white South African mothers of daughters with Anorexia Nervosa. Interviews were then transcribed and analysed according to Braun and Clarke's thematic analysis. Incorporating the silenced voices of mothers of daughters with Anorexia Nervosa appears to have allowed for the emergence of a more generous view of the mother and has contributed to a larger set of discursive repertoires through which to understand Anorexia Nervosa. This research further gave rise to the realisation of a need for a critical education program whereby taken for granted notions can be revealed and actively engaged. This program would ideally seek to free the anorexic woman as well as the mother from the constraints of the uncritically constructed conceptualisations of Anorexia Nervosa and femininity.
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    The identity of Muslim women in South Africa : married couples' perspectives.
    (2009-03-04T08:43:14Z) Sader, Farzana
    The present study provides an understanding of how married, tertiary educated and employed Muslim females negotiate their identities across contexts within a multicultural environment, such as post-1994 contemporary Johannesburg. An additional facet of this study was to gain insight into the construction of Muslim female identity by the husbands of the women in the study. The commonly portrayed images of Muslim women are unflattering and ill-conceived and depict the Muslim woman as one who is veiled, oppressed, secluded and submissive. In South Africa however, Muslim women have been able to participate in secular education and employment opportunities and practice their religion within a democratic dispensation that is responsive to issues of gender. In order to obtain an understanding of the nuances that underpin Muslim female self-constructions and constructions by their husbands, the study was approached from a social constructionist epistemology. It is the assumption of the researcher that identities are thus in part created discursively, and for the purpose of this study, the constructions of identity of the participants were analysed using a discourse analysis methodology. Interviews were conducted with four Muslim couples. Social facets such as gender, race, religion and globalisation were used as topics in order to understand how participants constructed Muslim women’s identity. The Muslim women who participated in the study appear to inhabit different subject positions in their daily lives. The study highlighted that identity may not be fixed or stable, rather a function of relational or contextual positions. Both the women and men in this study emphasised an Islamic identification while distancing themselves from a cultural identification. The oppression of Muslim women was relegated to the realm of culture. In prioritising an Islamic identity the participants have created a space where they are able to construct an alternative identity for Muslim women that enables them these women the freedom to access secular spaces or what may be viewed as the public sphere of men.
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