The following is a list of conditions given to the researcher as per agreement with the participant (stated on the participant consent form), and as per agreement between the researcher and the Wits Ethics Committee. The ethics application form and clearance certificate thereof, is attached.
• Confidential sections of the interview to be edited out and deleted. Submitted data files are final and do not contain confidential material.
• Photographs taken at the discretion of the participant on the days of the interviews. Use of the photographs in the dissertation is permitted, although they were not used.
• The interviewee/participant, Francine Simon, reserves the right to request the transcripts, audio files and photographs at any point during or after the research. The final transcripts and photographs were emailed to Simon prior to the final ETD submission, and no objections were raised.
• Excerpts of the interview transcripts are used in the dissertation, however, due to length and relevance, the majority of the transcripts were not used. The Wits Ethics Committee permits the researcher to use any part of the original transcribed material for future academic publications, and need not be limited to the excerpts used in the dissertation only.
• The following individuals are allowed access to the aforementioned data files, as per the Wits Ethics Committee: Arushani Govender (the researcher), Francine Simon (the participant), Prof. Denise Newfield and Associate Prof. Barbara Boswell (supervisors), and the relevant examination committee. Presently the ethical clearance certificate granted does not cover data access permissions for any other member.
Land occupies a special position in the history of Zimbabwe and the African continent in general. The research aims to critically examine the seemingly contradictory visions of land in Zimbabwean poetry. In their poetry, Musaemura Zimunya and Chenjerai Hove concoct startling images of the land or landscape in Zimbabwe. This forces one to not only gaze at the land or landscape but also engage with other broad issues related to literature and history. The research attempts to answer a number of questions. It discusses how history has shaped the Zimbabwean terrain and how this has been captured by the imaginative processes. The focus is on how land is depicted in Zimbabwean poetry and literature in general showing the overall significance of colonialism in this respect. It then examines in detail the poetry of the selected poets showing how each particular poet envisions the land. The poets seem to betray conflicting “structures of feeling”. The research explores the contentious issue of “demarcations” or “boundaries” of “country” and “city” focusing on the perceived conflicted relationship between the “two”. An attempt is then made to make alternative reading of the selected poets’ reading of the land. It is argued that the poets’ visions of landscape are in fact a rejection of the present and future, which may be seen as amounting to, in broad terms, an indictment of the postcolonial condition. The poetry evokes feelings and fantasies of escape from the land but ironically to the land which seems to fail to live up to the expectations.