Matshikiza’s King Kong Re-heard: A Pianistic Inquiry
dc.book.title | Proceedings of the Arts Research Africa Conference 2020 | en_ZA |
dc.citation.doi | https://doi.org/10.17605/OSF.IO/A9PF7 | en_ZA |
dc.contributor.author | Mnana, Yonela | |
dc.date.accessioned | 2020-07-08T13:15:07Z | |
dc.date.available | 2020-07-08T13:15:07Z | |
dc.date.issued | 2020-07 | |
dc.description | How did Todd Matshikiza, the famed Drum magazine reporter, pianist, and composer of King Kong, the South African hit musical of the 1950s, straddle these multiple worlds in his music? Drawing on my own experience as a jazz pianist, I attempted to answer this question through a performed analysis of an unreleased solo piano recording by Matshikiza. As a performer, my research aims to be not only about, but in the culture of South African solo jazz piano tradition. | en_ZA |
dc.description.abstract | How did Todd Matshikiza, the famed Drum magazine reporter, pianist, and composer of King Kong, the South African hit musical of the 1950s, straddle these multiple worlds in his music? Drawing on my own experience as a jazz pianist, I attempted to answer this question through a performed analysis of an unreleased solo piano recording by Matshikiza. As a performer, my research aims to be not only about, but in the culture of South African solo jazz piano tradition. | en_ZA |
dc.description.librarian | Christo Doherty 2020 | en_ZA |
dc.faculty | Humanities | en_ZA |
dc.funder | The Andrew W. Mellon Foundation | en_ZA |
dc.identifier.citation | How did Todd Matshikiza, the famed Drum magazine reporter, pianist, and composer of King Kong, the South African hit musical of the 1950s, straddle these multiple worlds in his music? Drawing on my own experience as a jazz pianist, I attempted to answer this question through a performed analysis of an unreleased solo piano recording by Matshikiza. As a performer, my research aims to be not only about, but in the culture of South African solo jazz piano tradition. | en_ZA |
dc.identifier.uri | https://hdl.handle.net/10539/29239 | |
dc.language.iso | en | en_ZA |
dc.publisher | Arts Research Africa, The Wits School of Arts, University of the Witwatersrand | en_ZA |
dc.rights | Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists | en_ZA |
dc.school | The Wits School of Arts | en_ZA |
dc.subject | artistic research, arts research, decolonisation, arts pedagogy, | en_ZA |
dc.title | Matshikiza’s King Kong Re-heard: A Pianistic Inquiry | en_ZA |
dc.type | Article | en_ZA |
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