Exploring the experience of delirium in hospital, and how music might expand our insight into this phenomenon

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dc.contributor.authorHume, Victoria Jane
dc.date.accessioned2018-02-08T08:02:14Z
dc.date.available2018-02-08T08:02:14Z
dc.date.issued2017
dc.descriptionA dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for a Masters degree with the Faculty of Humanities (Health Communication and Music). Johannesburg, May 2017en_ZA
dc.description.abstractThis dissertation synthesises the fields of narrative medicine and music composition to address the experience of delirium, and to learn whether music has a role to play in understanding and communicating its nature. My submission takes the form of a written dissertation accompanied by a new musical composition, Delirium Part II. Both written and composed texts are based on interviews and small discussion groups with people who have experienced delirium, their families, and healthcare professionals who are familiar with delirium in people under their care – as well as observation and recording from a hospital intensive care unit (ICU). The composition incorporates both interviews and ambient hospital sounds as audio components, and was performed first on 2 March 2017 at the Music Room, University Corner, University of the Witwatersrand. The study addresses significant gaps in our understanding of delirium, from its definition to the qualities of the experience for all those affected by it. Violence is shown to be inherent to the experience, driven by a cycle that imposes it by turns on HCPs and patients. Delirium is, moreover, characterised by losses of numerous kinds: orientation, dignity, control, and ultimately personhood. This study suggests, however, that it is within our grasp to limit significantly the impacts of these losses through re-evaluating our interactions with patients and families and challenging the dehumanising aspects of care. The music of Delirium Part II, moreover, is shown to have the capacity to contribute to this re-evaluation. There are clear indications here of the potential for music and the arts more broadly to convey complex health experiences, and to be of use in training and education. Music contributes centrally to the development of this research, as a tool both for data analysis and for provoking discussion of a complex, emotive topic. The possibilities for creative practice in narrative medicine are illuminated by this cross-disciplinary study, which demonstrates both that narrative-based musical composition can teach us much about delirium; and that delirium can teach us much about care.en_ZA
dc.description.librarianMT2018en_ZA
dc.format.extentOnline resource (140 leaves)
dc.identifier.citationHume, Victoria Jane (2017) Exploring the experience of delirium in hospital, and how music might expand our insight into this phenomenon, University of the Witwatersrand, Johannesburg, <https://hdl.handle.net/10539/23811>
dc.identifier.urihttps://hdl.handle.net/10539/23811
dc.language.isoenen_ZA
dc.subject.lcshMental illness--Care
dc.subject.lcshMusic therapy
dc.subject.lcshMusic--Psychological aspects
dc.titleExploring the experience of delirium in hospital, and how music might expand our insight into this phenomenonen_ZA
dc.typeThesisen_ZA
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