From "ghetto" to mainstream: Bollywood in South Africa

dc.contributor.authorEbrahim, Haseenah
dc.date.accessioned2011-05-16T13:46:46Z
dc.date.available2011-05-16T13:46:46Z
dc.date.issued2008
dc.departmentInterdisciplinary Arts and Culture Studies
dc.description13(2)en_US
dc.description.abstractThis essay explores two aspects of the Bollywood "phenomenon" as it has played out, in the past decade, in South Africa - a part of the Indian diaspora where the popularity of the Hindi-Indian cinema has an established history. Firstly, the article maps the expansion of Bollywood beyond the Indian diasporic audience to so-called "crossover" audiences, a phenomenon I have labelled the "mainstreaming" of Bollywood in South Africa. Secondly, it examines developments in relation to the expansion of Bollywood - South African film industry co-operation, including Bollywood's use of South Africa for location shooting.en_US
dc.facultyFaculty of Humanities
dc.identifier.issn1812-5441
dc.identifier.urihttp://hdl.handle.net/10539/9802
dc.language.isoenen_US
dc.publisherScrutiny2en_US
dc.schoolSchool of Arts
dc.titleFrom "ghetto" to mainstream: Bollywood in South Africaen_US
dc.typeArticleen_US
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