Of patriarchy, madness, mythology, and the queer in nation making: a critique on tropes of sexualities in post-colonial African literatures
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Date
2018
Authors
Magano, Thato
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Abstract
This research report interrogates how queer sexualities are represented in postcolonial
African literatures. It queries representations of queer sexualities and their place in the
fiction of the nation. It deploys queer as the coopted marker of pride and liberation that
was deployed by gender and sexuality activists in the gay liberation movement of the 1960s
and 1970s, and subsequently, gender and sexuality scholars in contemporary times. It relies
on this articulation of queer to locate homosexuality and same-sex desire at the centre of
an argument about the development of the idea of the African nation, and how this idea
continues to locate same-sex desire and sexuality outside of or hidden in discussions about
dominant modes of sexuality expressions. It reads Chinua Achebe’s Things Fall Apart
(1958/1962) in conversation with Tsitsi Dangarembga’s Nervous Conditions (1988) and K.
Sello Duiker’s The Quiet Violence of Dreams (2001) to explore the discursive modalities
through which queer sexualities circulate in these seminal works, and to interrogate the
extent to which they employ Achebe’s fictional world as integral to what it means to be
African. This exploration is located within a set of assumptions about how the African
nation is reproduced, and how modes of living and existing, are determined in African
literature. Central to its argument, it meditates on the narrative closures employed by
Achebe, Dangarembga and Duiker to determine how they facilitate, challenge, affirm or
disrupt the sanctity of the heterosexual African nation through the circulation of
patriarchal constructions of masculinity and same-sex desires and sexuality. The report
explores the extent to which the texts deploy mythology and madness as points of entry
into transgressive modes of existence within the nation. It further considers the role of the
archive in imagining the queer body in the nation and the power dynamics that instruct
the reading of same-sex desiring and homosexual bodies as non-normative. It argues that
due to the exclusion of same-sex desiring and homosexual bodies in what constitutes the
imaginary of the African nation in negotiating the nation’s anxiety about benefiting from
the nations affect schema, the excluded bodies are burdened with the work of excavating
from historical archives to legitimate their existence. In using the archive, the report
argues that queer bodies enact resistance by un-silencing the archive and excavating the
costs of a collective forgetting process that facilitates the postcolonial project of civilized
sensibilities. This work is undertaken to perform historical commentary that trespasses the
dominant modes of erasure that continue to locate the queer body as outside the
experience of Blackness. The report ultimately makes a case for the productive capacity of
interrogating and reporting Black abjection in order to construct epistemological
frameworks that enable a pedagogy that re-memories and re-members those that the
nation opts to erase. It argues for a disavowal of fictions about progress that are predicated
on a desire that fits within the scope of liberal conceptions of progress and civility. As a
mode of re-memory-ing and re-member-ing, this report proposes an affinity for
irresolvability with regards to conceptions of subjecthood in order to negotiate nationmaking
projects that are liberatory for those who have been historically placed outside of
the complicated and irresolvable matrix of national sentiment that privileges heterosexual
sexuality expressions.
Description
Masters in African Literature
Faculty of Humanities
University of Witwatersrand
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Citation
Magano, Thato Samuel (2019) Of patriarchy, madness, mythology and the queer in nation making: a critique on tropes of sexualities in post-colonial African literatures, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/25965>