Are the "boys" at Pixar afraid of little girls?

dc.contributor.authorEbrahim, Haseenah
dc.date.accessioned2015-08-18T10:58:24Z
dc.date.available2015-08-18T10:58:24Z
dc.date.issued2015
dc.departmentInterdisciplinary Arts and Culture Studies
dc.description.abstractThe notion that American animated films are somehow excluded from ideological concerns, that they are “ideologically empty,” so to speak, reflects a widespread perception within both the USA and South Africa that children’s films are just innocent, escapist, fun. Walt Disney himself was known to perpetuate this perception by, somewhat disingenuously, remarking that “we just make the pictures, and let the professors tell us what they mean” (quoted in Bell, Haas and Sells 1). Although sometimes tongue-in-cheek, I examine Pixar’s construction of little girls within the context of a brand image of Pixar’s animator-directors as “boys at heart”--that is, as Peter Pan types who have never really grown up. I explore whether Pixar’s films reflect a certain apprehension about little girls that can, perhaps, be likened to the way young boys often display a notable ambivalence toward girls. Pixar’s little girls—Hannah, Molly, Boo, Darla and Bonnie and Daisy—are not always so “sugar and spice and everything nice,” but rather embody toxicity to varying degrees (though not always seriously), becoming a source of fear, pain, or humiliation to a number of male characters in several Pixar films. What initially appears to suggest an aversion to little girls emerges as a more complex construction of little girls by the “boys” at Pixar.en_ZA
dc.facultyFaculty of Humanities
dc.identifier.citationJournal of Film and Video v. 66, no. 3en_ZA
dc.identifier.urihttp://hdl.handle.net/10539/18252
dc.language.isoen_USen_ZA
dc.publisherJournal of Film and Videoen_ZA
dc.schoolschool of Arts
dc.subjectPixaren_ZA
dc.subjectAnimationen_ZA
dc.subjectGirlsen_ZA
dc.subjectRepresentationen_ZA
dc.subjectBoys
dc.titleAre the "boys" at Pixar afraid of little girls?en_ZA
dc.typeArticleen_ZA
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