‘Godot-Logue in Gauteng’: Performance Practice as a (Re)presentation of Artistic Research

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dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/5SBFQen_ZA
dc.contributor.authorLecogo-Zulu, Bongile
dc.contributor.authorRatladi, Calvin
dc.date.accessioned2020-07-08T12:42:14Z
dc.date.available2020-07-08T12:42:14Z
dc.date.issued2020-07
dc.descriptionTo what extent can devised collaborative performance practice be considered research? How does an artist whose practice is housed in interdisciplinary collaboration be recognised as a researcher? A performance demonstration (by Bongile Lecoge-Zulu and Calvin Ratladi) of Lucky’s monologue in Samuel Beckett’s Waiting for Godot will serve as commentary on the association of research with academia. Is there scope for reframing the associations around arts research to include the actual doing of the art?en_ZA
dc.description.abstractTo what extent can devised collaborative performance practice be considered research? How does an artist whose practice is housed in interdisciplinary collaboration be recognised as a researcher? A performance demonstration (by Bongile Lecoge-Zulu and Calvin Ratladi) of Lucky’s monologue in Samuel Beckett’s Waiting for Godot will serve as commentary on the association of research with academia. Is there scope for reframing the associations around arts research to include the actual doing of the art?en_ZA
dc.description.librarianChristo Doherty 2020en_ZA
dc.facultyHumanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.citationTo what extent can devised collaborative performance practice be considered research? How does an artist whose practice is housed in interdisciplinary collaboration be recognised as a researcher? A performance demonstration (by Bongile Lecoge-Zulu and Calvin Ratladi) of Lucky’s monologue in Samuel Beckett’s Waiting for Godot will serve as commentary on the association of research with academia. Is there scope for reframing the associations around arts research to include the actual doing of the art?en_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29231
dc.language.isoenen_ZA
dc.publisherArts Research Africa, The Wits School of Arts, University of the Witwatersranden_ZA
dc.rightsLicensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellistsen_ZA
dc.schoolThe Wits School of Artsen_ZA
dc.subjectartistic research, arts research, decolonisation, arts pedagogy,en_ZA
dc.title‘Godot-Logue in Gauteng’: Performance Practice as a (Re)presentation of Artistic Researchen_ZA
dc.typeArticleen_ZA
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