The philosophy of art in Ewe Vodu religion

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dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/5WUGZen_ZA
dc.contributor.authorAdjei, Sela Kodjo
dc.date.accessioned2020-07-08T12:55:34Z
dc.date.available2020-07-08T12:55:34Z
dc.date.issued2020-07
dc.descriptionArts Research Africa Conference Proceeding 2020
dc.description.abstractHow have miseducation and Eurocentric anthropological scholarship actively deluded Africans into perceiving their religion and arts as “inferior” and “barbarous”? Drawing from years of practice-based investigation into the art of the Anlo-Ewe Vodu religion, this paper interrogates and redefines the misleading theories of “fetishism” that have obscured the appreciation of Vodu art.en_ZA
dc.description.submitterCD2020
dc.facultyFaculty of Humanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29234
dc.language.isoenen_ZA
dc.publisherArts Research Africa (ARA)en_ZA
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.rights© 2020 Arts Research Africa. Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists.en_ZA
dc.schoolSchool of Artsen_ZA
dc.subjectArtistic researchen_ZA
dc.subjectArts research
dc.subjectDecolonisation
dc.subjectArts pedagogy
dc.titleThe philosophy of art in Ewe Vodu religionen_ZA
dc.typePresentationen_ZA
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