AGENCY, POWER AND CONTROL OF SPECIAL KNOWLEDGE IN THE PRODUCTION OF ART AND RITUAL. A contrapuntal examination of two disparate cultural examples: western conceptual artist Joseph Beuys and Zambian Kunda women’s rock art images and chisungu coming-of-age rituals, and how these resonate with my identity and art practice.

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dc.contributor.authorGuhrs-Carr, Pamela Anne
dc.date.accessioned2019-01-24T11:07:23Z
dc.date.available2019-01-24T11:07:23Z
dc.date.issued2017
dc.description.librarianGR2019en_ZA
dc.identifier.urihttps://hdl.handle.net/10539/26323
dc.language.isoenen_ZA
dc.titleAGENCY, POWER AND CONTROL OF SPECIAL KNOWLEDGE IN THE PRODUCTION OF ART AND RITUAL. A contrapuntal examination of two disparate cultural examples: western conceptual artist Joseph Beuys and Zambian Kunda women’s rock art images and chisungu coming-of-age rituals, and how these resonate with my identity and art practice.en_ZA
dc.typeThesisen_ZA

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