The relationship between repetition and originality : selected paintings of Robert Hodgins

dc.contributor.authorCohen, Robyn Yael
dc.date.accessioned2017-06-13T12:40:32Z
dc.date.available2017-06-13T12:40:32Z
dc.date.issued1990
dc.descriptionA dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, for the Degree of Master of Arts in Fine Arts.en_ZA
dc.description.abstractThis dissertation investigates a particular use of repetition (and `quotation`) in the artistic method of Robert Hodgins, and the pedagogical significance of this method for the author. (Abbreviation abstract)en_ZA
dc.description.librarianAC2017en_ZA
dc.format.extentOnline resource (300 leaves)
dc.identifier.citationCohen, Yael (1990) The relationship between repetition and originality : selected paintings of Robert Hodgins, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/22849>
dc.identifier.urihttp://hdl.handle.net/10539/22849
dc.language.isoenen_ZA
dc.subjectHodgins, Robert, 1920- Art, Modern -- South Africa -- 20th century.en_ZA
dc.subject.lcshHodgins, Robert, 1920-
dc.subject.lcshArt, Modern--20th century
dc.titleThe relationship between repetition and originality : selected paintings of Robert Hodginsen_ZA
dc.typeThesisen_ZA
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