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dc.contributor.authorVon Carnap, Neish Merit
dc.date.accessioned2018-06-04T08:50:15Z
dc.date.available2018-06-04T08:50:15Z
dc.date.issued2017
dc.descriptionThis dissertation is submitted to the faculty of History of Arts, University of the Witwatersrand, Johannesburg in fulfilment of the Degree of Master of Arts, Johannesburg 2017en_ZA
dc.description.abstractThe dissertation take a multi-layered approach to under=standing the body in art, politics, history and space as a moving, understanding and signifying entity. as this dissertation is presented as a magazine, my deliberation starts with its design. Every chapter can be taken to address another layer to Mary Sibande's artwork Sophie: [No abstract provided. Information taken from introduction].
dc.description.librarianXL2018en_ZA
dc.format.extentOnline resource (154 pages)
dc.identifier.citationVon Carnap, Neish Merit (2017) Constructing the self: Sophie and the negotiation of space, University of the Witwatersrand, Johannesburg, <https://hdl.handle.net/10539/24550>
dc.identifier.urihttps://hdl.handle.net/10539/24550
dc.language.isoenen_ZA
dc.subject.lcshSibande, Mary,|d1982--Criticism and interpretation
dc.subject.lcshTextile artists--South Africa
dc.subject.lcshTextile fabrics in art
dc.subject.lcshArtists--South Africa--21st century
dc.typeThesisen_ZA
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