Traversing the cinemascape of contemporary South Africa: A peripatetic journey.
This article offers a series of observations, reflections, descriptions and opinions as stopping points on a tour of the multifaceted cinemascape of South Africa. It addresses how discourses of cinema in South Africa conflate the development of a distinctive South African cinema with the development of a robust film industry—concealing the structural barriers to entry, the development of indigenous aesthetics, and domestic audience development. It maps the emergence of several nodes of film production and consumption for non-cinema platforms as well as several subnational “mini-industries” characterized by ethnolinguistic markers of appeal. The author warns that the sole use of a national cinema lens to look at cinema in South Africa blinds us to both the politics of identity in postapartheid South Africa as well as the variety of film-related activities that constitute film culture, arguing that film scholars would be better served by adopting a polycentric approach when attempting to map the cinemascape in contemporary South Africa.
South African cinema , South Africa- film , Bollywood South Africa , Indian South African filmmaking , Lokshin Bioskop , Mzansi Magic