The songs of Richard Strauss Op. 10 to Op. 56

dc.contributor.author	Becker, Marianne
dc.date.accessioned	2015-01-07T07:26:16Z
dc.date.available	2015-01-07T07:26:16Z
dc.date.issued	2015-01-07
dc.description.abstract	This study is concerned with an analysis of tne songs of Richard Strauss, op. 10 to op.56. The years during which these compositions were created (1882-1906) not only demonstrate clearly Strauss's individual development as a composer, but also represent a time of great change in music history generally, since they bridge the T.ate-Romantic and Twentieth-Century styles. Strauss stands as a central figure amidst all these developments and his music consequently reflects the spirit of those times. As a result, certjain issues had to be investigated before the songs could be analysed. The most important of these are: i Whether his music can be regarded as tonal or not; ii How far the ideal of Musik als Ausdruck influenced his compositions. The analyses of the songs were used to verify the findings that: i His works are generally not structured according to tonal principles (if tonality is defined as existing because of a hierarchical structuring of tonal materials around a central tonic) despite their consonant nature; ii Musik als Ausdruck was the single most important element in his musical philosophy and all else was subjugated to this ideal.	en_ZA
dc.identifier.uri	http://hdl.handle.net/10539/16188
dc.language.iso	en	en_ZA
dc.title	The songs of Richard Strauss Op. 10 to Op. 56	en_ZA
dc.type	Thesis	en_ZA

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