RE-VIEWING THE TROPICAL PARADISE: AFRO-CARIBBEAN WOMEN FILMMAKERS

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dc.contributor.authorEbrahim, Haseenah
dc.date.accessioned2014-09-01T09:54:27Z
dc.date.available2014-09-01T09:54:27Z
dc.date.issued1998
dc.departmentInterdisciplinary Arts and Culture Studies
dc.description.abstractThis dissertation presents a new conceptual framework, a "pan-African feminist" critical model, to examine how Euzhan Palcy of Martinique, Gloria Rolando and the late Sara Gómez of Cuba, and the Sistren Collective of Jamaica have negotiated - individually or collectively - the gender/race/class constraints within each of their societies in order to obtain access to the media of film and video. I examine the aesthetic, political, social and economic strategies utilized by these filmmakers to reinsert themselves into recorded versions of history, and/or to intervene in racist, (neo)colonial and/or patriarchal systems of oppression.en_ZA
dc.identifier.citationEbrahim, H. 1998. Re-Viewing the Tropical Paradise: Afro-Caribbean Women Filmmakers. PhD dissertation. Northwestern University, Evanston, Illinois.en_ZA
dc.identifier.urihttp://hdl.handle.net/10539/15340
dc.language.isoen_USen_ZA
dc.publisherNorthwestern Universityen_ZA
dc.schoolArts
dc.subjectcinemaen_ZA
dc.subjectfilmen_ZA
dc.subjectblacken_ZA
dc.subjectAfro-Caribbeanen_ZA
dc.subjectAfrican Diasporaen_ZA
dc.subjectCaribbean cinemaen_ZA
dc.subjectCuban cinemaen_ZA
dc.subjectMartiniqueen_ZA
dc.subjectEuzhan Palcyen_ZA
dc.subjectSistren Collectiveen_ZA
dc.subjectGloria Rolandoen_ZA
dc.subjectSara Gomezen_ZA
dc.titleRE-VIEWING THE TROPICAL PARADISE: AFRO-CARIBBEAN WOMEN FILMMAKERSen_ZA
dc.typeThesisen_ZA
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