Generation X: technology, identity and apocalypse in three novels by Douglas Coupland.
dc.contributor.author | Candy, Geoffrey James Richard | |
dc.date.accessioned | 2006-02-09T11:05:55Z | |
dc.date.available | 2006-02-09T11:05:55Z | |
dc.date.issued | 2006-02-09 | |
dc.description | Master of Arts - English | en |
dc.description.abstract | This paper takes as its base premise the idea that Douglas Coupland has both shaped generation X thought fundamentally while at the same time is continuously shaped by generation X cultural production. Through a postmodern lens, the paper goes on to look at the ways in which notions of identity, and apocalypse have come to play a central role in the thinking of generation X and then looks at the ways in which these themes and generation X as a whole have been affected by technology. The paper looks at three of Coupland’s novels: Generation X: Tales for an Accelerated Culture; Microserfs and Girlfriend in a Coma. | en |
dc.format.extent | 40837 bytes | |
dc.format.extent | 580770 bytes | |
dc.format.mimetype | application/pdf | |
dc.format.mimetype | application/pdf | |
dc.identifier.uri | http://hdl.handle.net/10539/173 | |
dc.language.iso | en | |
dc.subject | douglas coupland | en |
dc.subject | apocalypse | en |
dc.subject | identity | en |
dc.subject | technology | en |
dc.subject | generation x | en |
dc.title | Generation X: technology, identity and apocalypse in three novels by Douglas Coupland. | en |
dc.type | Thesis | en |
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