Thinking about research and creative endeavour

dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/NH65Aen_ZA
dc.contributor.authorOlivier, Gerrit
dc.date.accessioned2020-07-08T12:34:05Z
dc.date.available2020-07-08T12:34:05Z
dc.date.issued2020-07
dc.descriptionArts Research Africa Conference Proceeding 2020
dc.description.abstractAre the binary oppositions postulated between theoretical and practical knowledge, and between western and African philosophy—as in the call for this conference—valid or useful for artistic research? This paper asks where this conceptual division should best be located and poses the question of whether it is valid, sustainable, and helpful to distinguish between African and European “modes of knowledge.”en_ZA
dc.facultyFaculty of Humanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29229
dc.language.isoenen_ZA
dc.publisherArts Research Africa (ARA)en_ZA
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.rights© 2020 Arts Research Africa. Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists.en_ZA
dc.schoolSchool of Artsen_ZA
dc.subjectArtistic researchen_ZA
dc.subjectArts research
dc.subjectDecolonisation
dc.subjectArts pedagogy
dc.titleThinking about research and creative endeavouren_ZA
dc.typePresentationen_ZA
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