Sarita and the Revolution: Race and Cuban Cinema

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dc.contributor.authorEbrahim, Haseenah
dc.date.accessioned2011-05-16T13:25:27Z
dc.date.available2011-05-16T13:25:27Z
dc.date.issued2007-04
dc.departmentInterdisciplinary Arts and Culture Studies
dc.description.abstractThis essay explores questions of race and ethnicity in relation to Cuban cinema during the height of the Revolution, focusing in particular on one filmmaker, the late Sara Gómez. This essay argues that while contemporary filmmakers in Cuba have benefited from a growing acceptance of African heritage as an integral component of Cuban culture, Sara Gómez’s interest in exploring matters of racial inequalities in the Revolutionary Cuba of the 1960s and ’70s forced her to negotiate a rather challenging political and social milieu in which official attitudes frowned upon the acknowledgement of racial discrimination as a contemporary phenomenon.Eng
dc.facultyFaculty of Humanities
dc.identifier.urihttp://hdl.handle.net/10539/9799
dc.language.isoenen_US
dc.publisherEuropean Review of Latin American and Carribean Studiesen_US
dc.schoolSchool of Arts
dc.subjectRace
dc.subjectCuban cinema
dc.subjectSara Gómez
dc.titleSarita and the Revolution: Race and Cuban Cinemaen_US
dc.title.alternativeSarita and the Revolution: Race and Cuban Cinemaen_US
dc.typeArticleen_US
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