The translated landscape: interpreting South Africa through Jewellery Praxis

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dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/XSFWRen_ZA
dc.contributor.authorGroenewald, Joani
dc.contributor.authorvan der Wal, Ernst
dc.date.accessioned2020-07-08T13:11:18Z
dc.date.available2020-07-08T13:11:18Z
dc.date.issued2020-07
dc.descriptionArts Research Africa Conference Proceeding 2020en_ZA
dc.description.abstractCan a landscape function as a visual text that could, in turn, be translated through various multimodal practices? Through an account of Groenewald’s own creative practice, which translates landscape images into jewellery/sculptural pieces, this paper unpacks the complexities of translation and language within the memory politics of the South African landscape.en_ZA
dc.description.submitterCD2020
dc.facultyFaculty of Humanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29238
dc.language.isoenen_ZA
dc.publisherArts Research Africa (ARA)en_ZA
dc.publisherUniversity of the Witwatersrand, Johannesburg
dc.rights© 2020 Arts Research Africa. Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists.en_ZA
dc.schoolSchool of Artsen_ZA
dc.subjectArtistic researchen_ZA
dc.subjectArts research
dc.subjectDecolonisation
dc.subjectArts pedagogy
dc.titleThe translated landscape: interpreting South Africa through Jewellery Praxisen_ZA
dc.typePresentationen_ZA
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