The translated landscape: interpreting South Africa through Jewellery Praxis
| dc.book.title | Proceedings of the Arts Research Africa Conference 2020 | en_ZA |
| dc.citation.doi | https://doi.org/10.17605/OSF.IO/XSFWR | en_ZA |
| dc.contributor.author | Groenewald, Joani | |
| dc.contributor.author | van der Wal, Ernst | |
| dc.date.accessioned | 2020-07-08T13:11:18Z | |
| dc.date.available | 2020-07-08T13:11:18Z | |
| dc.date.issued | 2020-07 | |
| dc.description | Arts Research Africa Conference Proceeding 2020 | en_ZA |
| dc.description.abstract | Can a landscape function as a visual text that could, in turn, be translated through various multimodal practices? Through an account of Groenewald’s own creative practice, which translates landscape images into jewellery/sculptural pieces, this paper unpacks the complexities of translation and language within the memory politics of the South African landscape. | en_ZA |
| dc.description.submitter | CD2020 | |
| dc.faculty | Faculty of Humanities | en_ZA |
| dc.funder | The Andrew W. Mellon Foundation | en_ZA |
| dc.identifier.uri | https://hdl.handle.net/10539/29238 | |
| dc.language.iso | en | en_ZA |
| dc.publisher | Arts Research Africa (ARA) | en_ZA |
| dc.publisher | University of the Witwatersrand, Johannesburg | |
| dc.rights | © 2020 Arts Research Africa. Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists. | en_ZA |
| dc.school | School of Arts | en_ZA |
| dc.subject | Artistic research | en_ZA |
| dc.subject | Arts research | |
| dc.subject | Decolonisation | |
| dc.subject | Arts pedagogy | |
| dc.title | The translated landscape: interpreting South Africa through Jewellery Praxis | en_ZA |
| dc.type | Presentation | en_ZA |