Cultural Integration for State Identity in Nasarawa State's Choreographic Approach to Nafest "Danceturgey"
Date
2022-09-16
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Arts Research Africa (ARA)
University of the Witwatersrand, Johannesburg
University of the Witwatersrand, Johannesburg
Abstract
This paper discusses the concept of “danceturgy” and its role in the National Festival of Arts and Culture (NAFEST) in Nigeria. NAFEST aims to promote national unity and identity through the performance of Nigerian cultural heritage. The guidelines for participation in the festival emphasize the reflection of cultural peculiarities and the use of authentic dance stories. The danceturgy at NAFEST involves stage and DVD presentations, with specific criteria for judging. The text highlights the creative process of the Nasarawa State Performing Troupe (NSPT) in developing their dance entry for NAFEST 2009, including the study of the festival syllabus, conception of the story idea, assembling choreographic devices, rehearsals, and the final performance. It is suggested that the NSPT choreographic approach be adopted and modified to suit NAFEST danceturgy.
Description
Keywords
Danceturgy, National Festival of Arts and Culture (NAFEST) in Nigeria, Nasarawa State Performing Troupe (NSPT)