Creating New, Previously Unknown Outcomes: Joy by and by Remade
dc.book.title | Proceedings of the Arts Research Africa Conference 2020 | en_ZA |
dc.citation.doi | https://doi.org/10.17605/OSF.IO/MEJZD | en_ZA |
dc.contributor.author | Moshugi, Kgomotso | |
dc.date.accessioned | 2020-07-08T08:31:28Z | |
dc.date.available | 2020-07-08T08:31:28Z | |
dc.date.issued | 2020-07 | |
dc.description | How can new knowledge be produced through processes of musical arrangement that have not traditionally been canonised? Through analysis of the versions of the hymn Joy By and By, which local arrangers have created since the 1980s, the process of re-imagination and defamiliarisation will be explained. | en_ZA |
dc.description.abstract | How can new knowledge be produced through processes of musical arrangement that have not traditionally been canonised? Through analysis of the versions of the hymn Joy By and By, which local arrangers have created since the 1980s, the process of re-imagination and defamiliarisation will be explained. | en_ZA |
dc.description.librarian | Christo Doherty 2020 | en_ZA |
dc.description.sponsorship | The Andrew W. Mellon Foundation | en_ZA |
dc.faculty | Humanities | en_ZA |
dc.funder | The Andrew W. Mellon Foundation | en_ZA |
dc.identifier.uri | https://hdl.handle.net/10539/29201 | |
dc.language.iso | en | en_ZA |
dc.publisher | Arts Research Africa, The Wits School of Arts, University of the Witwatersrand | en_ZA |
dc.rights | Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists | en_ZA |
dc.school | The Wits School of Arts | en_ZA |
dc.subject | artistic research, arts research, decolonisation, arts pedagogy, decolonisation, | en_ZA |
dc.title | Creating New, Previously Unknown Outcomes: Joy by and by Remade | en_ZA |
dc.type | Article | en_ZA |
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