Closing Address: Artistic Research in Africa - rethinking the "avant-garde"
dc.book.title | Proceedings of the Arts Research Africa Conference 2020 | en_ZA |
dc.citation.doi | https://doi.org/10.17605/OSF.IO/WVDC3 | en_ZA |
dc.contributor.author | Deribew, Berhanu Ashagrie | |
dc.date.accessioned | 2020-07-08T12:50:45Z | |
dc.date.available | 2020-07-08T12:50:45Z | |
dc.date.issued | 2020-07 | |
dc.description | In order to implement artistic research in Africa need to recognize the different contexts - cultural, political and institutional – on our continent; and that artistic research is a subject not yet full clear in its function. The colonial model of the university has had the effect of “epistemicide” on indigenous knowledge. This aggravated by Western refusal to recognize traditions understand nature as Mother Earth with her own rights. Argues for a “rearguard” approach to art activism to learn from sources of embodied knowledge in communities | en_ZA |
dc.description.abstract | In order to implement artistic research in Africa need to recognize the different contexts - cultural, political and institutional – on our continent; and that artistic research is a subject not yet full clear in its function. The colonial model of the university has had the effect of “epistemicide” on indigenous knowledge. This aggravated by Western refusal to recognize traditions understand nature as Mother Earth with her own rights. Argues for a “rearguard” approach to art activism to learn from sources of embodied knowledge in communities | en_ZA |
dc.description.librarian | Christo Doherty 2020 | en_ZA |
dc.faculty | Humanities | en_ZA |
dc.funder | The Andrew W. Mellon Foundation | en_ZA |
dc.identifier.citation | In order to implement artistic research in Africa need to recognize the different contexts - cultural, political and institutional – on our continent; and that artistic research is a subject not yet full clear in its function. The colonial model of the university has had the effect of “epistemicide” on indigenous knowledge. This aggravated by Western refusal to recognize traditions understand nature as Mother Earth with her own rights. Argues for a “rearguard” approach to art activism to learn from sources of embodied knowledge in communities | en_ZA |
dc.identifier.uri | https://hdl.handle.net/10539/29233 | |
dc.language.iso | en | en_ZA |
dc.publisher | Arts Research Africa, The Wits School of Arts, University of the Witwatersrand | en_ZA |
dc.rights | Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists | en_ZA |
dc.school | The Wits School of Arts | en_ZA |
dc.subject | artistic research, arts research, decolonisation, arts pedagogy, | en_ZA |
dc.title | Closing Address: Artistic Research in Africa - rethinking the "avant-garde" | en_ZA |
dc.type | Article | en_ZA |
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