David Lynch as a postmodern filmaker

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dc.contributor.authorElsdon, Kerry-Jane
dc.date.accessioned2017-05-25T07:26:47Z
dc.date.available2017-05-25T07:26:47Z
dc.date.issued1992
dc.descriptionA dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, for the degree of Master of Arts in Dramatic Art. Johannesburg 1992.en_ZA
dc.description.abstractIt is the intention of this thesis to provide a reasoned analysis of the films of David Lynch, in order to locate Lynch as a Postmodern filmmaker. Although other filmmakers have been seen to include elements of Postmodernism in their work (Tim Burton is an example), few directors have attained Lynch's recent prominence or popularity. His recent television series, Twin Peaks, has created an even larger audience for his filmic style, and the guest directors employed were obviously encouraged to employ a similar technique, in order to create a coherent filmic philosophy. [Abbreviated Abstract. Open document to view full version]
dc.description.librarianMT2017en_ZA
dc.format.extentOnline resource (104 leaves)
dc.identifier.citationElsdon, Kerry-Jane (1992) David Lynch as a postmodern filmmaker, University of Witwatersrand, Johannesburg, <http://wiredspace.wits.ac.za/handle/10539/22709>
dc.identifier.urihttp://hdl.handle.net/10539/22709
dc.language.isoenen_ZA
dc.subject.lcshLynch, David K, 1946--Criticism and interpretation
dc.subject.lcshMotion picture producers and directors--United States
dc.subject.lcshPostmodernism
dc.titleDavid Lynch as a postmodern filmakeren_ZA
dc.typeThesisen_ZA
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